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> In the summer of 1984 Fine Art students from Wolverhampton Polytechnic cycled the length and breadth of Wolverhampton. They were looking for a building that they could use as a group studio. They eventually settled upon the Eagle Works in Alexander Street, Graiseley, Wolverhampton 鈥 a听 three storey semi-derelict Victorian industrial building with smashed windows and a friendly landlord.
 | | Artists in the Eagle Works kitchen |
Wolverhampton鈥檚 Heritage and History Society believe that before falling into disuse and disrepair, the building was used as a mattress factory, a bicycle factory, and a brass and gun metal foundry. Assisted by small grants from the Arts Council, the Eagle Works Visual Arts Group converted the shell of a building into individual studio spaces. In 1987 they opened a gallery at Eagle Works where they exhibit their work. EAGLE WORKS VISUAL ARTS GROUP In 2005, the building provides working space for 18 local, mostly 鈥渞esearch based鈥, contemporary artists. There鈥檚 a waiting list of artists who鈥檇 like a studio at Eagle Works.
 | | The Eagle Works building |
George Holt, Simon Francis, Simon Harris, Sylbert Bolton, Jane O鈥橰eilly, Derek Jones, Julie McNally-Hayes, John Hampton, Knighton Hosking, David Smith, Rupert Miles Smithson, James Millichamp, Jain McKay, Dave Hilliard, Giancarlo Facchinetti, Maggie Walker and Rosemary Terry are the emerging and established contemporary artists who work from the building at present. Although the members of the Eagle Works Visual Arts Group mostly produce abstract paintings, name a style, a medium or a concept and someone in the group will be working in that area. Apart from painting, the Eagle Works group also produces sculpture, conceptual art, montage and video installation. Although the group has produced no household names so far, it is a respected studio. Eagle Works artists have received public commissions. Their work is collected. In 2005, the gallery space at Eagle Works held ten exhibitions of the group鈥檚 work. They鈥檙e planning a new exhibition programme for 2006, possibly a series of dual shows.
 | | Painter Simon Harris, in his studio |
鈥淚t must be one of the most stable and long lasting artists鈥 studios in the whole country.鈥 says sculptor Rosemary Terry, who鈥檚 worked from the building for nearly 20 years.听 鈥淲hen the place started up people tended to come for a year or two and then move on elsewhere. I think we have a population of artists now who are settled in the area because they have jobs, they work here, or maybe they鈥檙e even retired 鈥 so that鈥檚 one reason why the place is still here.鈥 鈥淲e鈥檝e been around a long time. We have, often, advertised nationally in the past. We鈥檝e had national and international artists showing in our gallery in the past. 鈥淚 don鈥檛 think any of us would regard ourselves as commercial artists. If we do sell work that鈥檚 a good by-product of our practice. This is space to work and is also space to fraternise with other artists, be able to operate collectively and have group shows.
 | | Detail from a Simon Harris painting |
鈥淲e鈥檙e all modern artists because we all live now. We鈥檙e definitely not chocolate box artists, and we wouldn鈥檛 necessarily encourage chocolate box artists or people who make landscapes paintings to come here. And I don鈥檛 think they鈥檇 want to either, because it鈥檚 a pretty basic building. 鈥淚t鈥檚 cold it鈥檚 damp 鈥 but because it鈥檚 [Eagle Works] an industrial building there鈥檚 24 hour access, people can make as much noise and mess as they want to, in the course of producing work 鈥 so, from that point of view it鈥檚 just right for fine artists.鈥 Entry to the Eagle Works building is by invitation only.
Telephone 01902 425958 or email eagle@eagleworks.org.uk for more information. | 
