Ö÷²¥´óÐã

Tenor John Pierce won the final of the 2010 Welsh Singers Competition at St David's Hall, Cardiff on Monday 28 June.

John wins a trophy and £2,000, but the most valuable part of the prize is to represent Wales in the 2011 Ö÷²¥´óÐã Cardiff Singer of the World competition.

He received a taste of what it will be like next June as he performed favourites from the operatic tenor repertoire by Mozart, Verdi, Massenet and Puccini to an appreciative audience on the stage of St David's Hall.

Twenty-four other talented singers from around the world will be selected to join John in the next competition from worldwide auditions this autumn. They all perform their own choice of operatic and concert music with orchestra, plus the option to enter the parallel Song Prize competition, featuring the art song repertoire.

This is the second attempt by John, who comes from Holywell in Flintshire - in 2008 he also reached the Welsh Singers Competition final but lost out to soprano Natalya Romaniw on that occasion.

John says he was "shocked" to hear his name announced as the winner. He is having quite a year, with this win coming just weeks after the birth of his first child, Sophie. Also this summer, he performs Rodolfo in La bohème for British Youth Opera and, soon afterwards, covers the same role for English National Opera. He finished his winning programme with Che gelida manina from the opera.

Previous winners of the Welsh Singers Competition have gone on to have very successful careers, including Sarah-Jane Davies (2006) and the legendary Bryn Terfel (1988), who this year sat on the jury for the first time and presented the prize to John Pierce.

The competitors were accompanied by the Ö÷²¥´óÐã National Orchestra of Wales, conducted by Grant Llewellyn. Find out details of what John and the other three finalists performed.

I haven't been to many concerts in the Millennium Stadium. In the past decade there's been R.E.M, Oasis and Foo Fighters, and the Manics' Millennium, so my experience of vast cavernous concerts are few and far between.

But what I have learnt the hard way is that its an all day experience. It's not a trot to your local dark gigging dive, it's everything from lunching in the sun in Cardiff's town centre, avoiding the traffic, and home before midnight - in other words it's a wonderful grown up gigging experience!

Each experience has been totally different, and each visit slightly less raucous too perhaps! With that in mind, I find myself trundling along, literally crossing the road from my house in Riverside with the throng of the 60s generation towards the bizarre experience of seeing Macca and two incredible Welsh bands in support.

With my companion for the day, my mother-in-law, I set off early as I didn't want to miss anything. We arrived at our seats, pleasingly close to the stage, just in time for The Joy Formidable's set as the first support act. The band looked comfortable and ready for such a huge stadium. Despite sparse stage and no frills, they shone with their tight set, great songs, and Ritzy's warm welsh husky voice beaming with happiness at the occasion.

The Joy Formidable onstage at the Millennium Stadium, Cardiff (photo: Ynyr Roberts)

There was just time for a glass of chilled wine, which we didn't even have to move from our cosy seats for, and then Manic Street Preachers took to the stage. Again the set was sparse: some pale blue lights, and Nicky's standard feather boa microphone stand and Welsh flag speaker stack.

Manic Street Preachers onstage at the Millennium Stadium, Cardiff (photo: Ben Norris)

The Manics belted through their greatest hits with warm 'rough guide' explanations about each track, and the setlist included Your Love Alone, Motorcycle Emptiness, Design for Life, Suicide Is Painless, You Love Us, and Rock And Roll Music dedicated to Stuart Cable.

It seemed slightly strange to see such a huge band, a band who've headlined this very venue, as the support act on this occasion, but I guess the 11th anniversary of the stadium and the sheer musical legend that is Paul McCartney managed to persuade them to take the short set. They looked like they have a beefier line up too, with extra men on guitar and keys. It's an interesting sign of things to come as they gear up for a new album in the autumn.

At 7.45pm Paul McCartney took to the stage with a bellowing "Shw mae?" before kicking into Venus And Mars, Rock Show and Jet. The 68-year-old played 40 years' worth of Beatles and Wings back catalogue for the next three hours, looking elated, comfortable and full of energy throughout.

It was a crowd-pleasing set, and we we're on our feet singing along for the majority of the time. The lights and visuals were incredible and the pyrotechnics during Live And Let Die made us jump - the heat from the flames had quite a range! The nostalgic but witty anecdotes about Jimi Hendrix, George Harrison, John Lennon and Linda were charming, and Paul captured our attention with an incredible performance throughout.

From grand piano to multi-coloured honky tonk upright, from mandolin to ukulele, bass guitar to acoustic, McCartney's musicianship is incredible and his voice pitch perfect for the entire set. The band were a funny bunch too, with their own quirks that sometimes draw your attention away from the main man.

Sir Paul McCartney onstage at the Millennium Stadium, Cardiff (photo: )

Beatles favourites were scattered throughout, including Helter Skelter, All My Loving, Something and The Long And Winding Road, until the rabble rousing, lighters out, two-encore finale of Hey Jude, Sgt Pepper, Lady Madonna, and my all-time favourite Beatles track Get Back.

Sir Paul McCartney onstage at the Millennium Stadium, Cardiff (photo: )

The polite audience filtered out quickly, and I was home within a few minutes reliving the experience to the rest of the family, a wonderful stadium musical experience... Now to book the Speedway!

Sir Paul McCartney onstage at the Millennium Stadium, Cardiff (photo: )

This week's supernova of mostly new Welsh music is powered by a fractal mountain of a live set from Wrexham's Gallops.Mountainous because the noises are massive and skyscraping, and fractal because the devil is in the intriguing fine details... the intricate arpeggios and multiple layers of subtle nuance.

Basically, Gallops blow your conceptions right out your earhole, but leave melodies Beethoven would have wept over in the smoking, empty space thus cleared. You're implored to turn this 11 minute 54 second passage of the show up loud to recreate, as closely as possible, the experience of seeing Gallops live. Having two bulldozers drive headlong into each other with your head in-between as the willing epicentre will make the experience even more authentic.

www.bbc.co.uk/iplayer/episode/b00swsd8/Adam_Walton_27_06_2010/

David Wrench continues to lead us back through the dark histories that constitute many of the fibres his new album 'Spades & Hoes & Plows' is woven from. It's an album that reinterprets old folk songs in a way that would give most folk purists doom metal-shaped nightmares. And, rather like Gallops, ghosting in and out of the noise are moments of unexpected beauty and stillness.

The album is a triumph of instinct and curiosity. This week, David talks about his collaborators on this project: Black Sheep - a band featuring that human ley line of shamanistic inspiration, Julian Cope.

Huw 'Pooh Stick' Williams taps his blackboard of Welsh musical history in time with some of Amen Corner's exemplary blue-eyed soul.

Lara Catrin translates something beautiful from Jakokoyak.

A man called Ben comes in to pay tribute to the recently passed Chris Sievey, the quiet genius underneath Frank Sidebottom's fibre glass head.

And we have a painstakingly assembled selection of the most interesting Welsh music that has arrived by .mp3 or carrier pigeon in the last week, including debut plays for The Image of All, A Battleship Called 'Minks', Ratatosk and the Undivided.

Please send new Welsh demos/gig info etc. to: themysterytour@gmail.com

Next week, Simon And The Witch in session.

Have an excellent week.

Adam

FRANK SIDEBOTTOM
Zoo Scrapbook

[Bangor]
Summer

RICHARD JAMES [Cardiff]
Faces

DANGERMOUSE & SPARKLEHORSE [FEATURING GRUFF RHYS] [Bethesda / Cardiff]
Just War [radio edit]

[Llanidloes]
Someone

[Newport]
Distraction

[Cardiff]
Call Me

AMEN CORNER [Cardiff]
Satisnek The Job's Worth

DIDZ [Cardiff]
Hot Gal

[Cardiff]
Holly

[Llanelli]
Sad, Free, Excited And Empty

[Newport]
Pure Ode

[Cardiff]
Batavia's Gfraveyard

[Caerphilly]
Mute

[Bristol]
Obligatory Love Song

[Llanrwst]
Chwech

[Bangor]
The Blackleg Miner

[Wrexham]
Live From Central Station, Wrexham

[Aberystwyth]
Panic Attack

[Cardiff]
Sex With You


Live From Sonar

[Cardiff]
The Lollipop Lady's Favourite

[Cardiff]
All That Money Can Buy

[Cardiff]
Troi


Popular Medley

[Abergavenney]
Promises

[Milford Haven]
Way Down

I've just got back from a week's holiday to find that it has been confirmed that Spillers record shop in Cardiff, after a lot of will-they-won't-they, have closed their shop in The Hayes and are looking for new premises.

Owner Nick Todd is looking at a move to one of the city's famed arcades and says, "You've got to be positive - the Hayes has outgrown a business like ours. I like the idea of going into the Morgan Arcade - we're more of an old-part-of-the-city business."

For people who don't know the shop, it's reputed to be the oldest record shop in the world, established in the 1890s for all your wax cylinder needs. The reason I'm writing about this news is that it's an important element in the musical culture for all Wales. Far from being a Cardiff-centric non-story for the rest of Wales, the ongoing health of Spillers is important.

When I arrived in Cardiff as a student in 1996, I tried to find the shop in my very first week. Cardiff was meant to be great for its music scene and so I had a meander into the city centre to find this haven of music that had been written about in such glowing terms in that summer's NME Student Guide. Unfortunately I had to give up because I had neither a map nor a sense of direction. I found it later in the week when, to be honest, I may have been slightly more sober.

It was fantastic. Its dingy interior held a wealth of music on CD and vinyl from all kinds of genres and even had a dedicated punk and hardcore section on which I was to spend a good proportion of my student loan. It also held the biggest collection of Welsh music I have ever seen. They stocked records from labels from all over the country, giving independent labels a space in Wales' foremost record shop. That literal shop window has continued over the years. Indeed, one entire window in their shop front is dedicated to the latest domestic releases.

Labels such as Dockrad, FF Vinyl, Ankstmusik, Mighty Atom, Boobytrap, SFDB and even my own foray into label-dom have found a space on the shelves. It's very important, even in this age of digital downloads and web-based mail order, that independent physical releases have a space in shops next to those of established acts.

Now, Spillers Records are very good at marketing their wares and as I've noted before on this blog they've got thousands of indie-heads advertising the shop through their ubiquitous t-shirts, but despite that, it's still important to remember the truism 'you don't know what you've got till it's gone'.

I hope they find new premises and can continue as a productive business. I hope that DIY labels from all over Wales can continue getting their releases into a shop that has a genuine history, presence and reputation. It's not enough that they hope for random online custom or MySpace plays; any plan for financial health and longevity has to include shop presence.

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There are few bands in Wales as warmly regarded as . This is mostly to do with the unarguable qualities of their music. It is also to do with their history. The forerunners of this band, , were a charming, whimsical alternative to the stodgy earnestness of many of their contemporaries. Their only album, Songs Of Ignorance, is the Welsh : an almost-lost Eldorado of an album.

But if The Keys were reading this, they'd be shaking their heads and tutting:

"Enough of the past, already!"

They'd have a point. But when it comes to explaining why tens of people have foregone an afternoon on the beer watching England's World Cup game against Algeria so that they can come and watch The Keys instead, much of the love and loyalty in these people was sown back in the Murry The Hump days.

And thank god for that love. Because at 9:30pm, guileless, witless, clueless football just finished, the venue is empty. Five football phobics sit outside basking in the evening rays. I'm playing scratchy vinyl in the corner hoping - praying - that at least a handful of people will have foregone the football in order to witness some rare musical chemistry.

And, for once, my prayers are answered. Something uplifting (and obscure - why isn't this song better known?) from The Five Stairsteps and the venue is quickly filling. Lots of eager faces, regular supporters of Welsh music over the last couple of decades, have filed into the venue.

"Are they as good live as they are on the albums?" Paz asks me at the DJ booth, and the honest answer is: "I can't remember. I haven't seen 'em for five years." (But, still, I do tell him "yes, amazing!" with fingers only half-crossed.)

There was a long hiatus of frustration and label problems between the Keys' début album and this year's excellent follow-up, Fire Inside (See Monkey Do Monkey). A hiatus of such soul-eroding inertia that the band almost gave it all up. And that despite rumours that the songs they had recorded for a second album were of the absolute highest quality.

Those rumours were confirmed when demos of Fire Inside and Chemistry surfaced. Fire Inside sounded like a lost psych classic, a beautiful second cousin of Incense And Peppermints. But Chemistry was the song that got most people's earbuds salivating: a beautiful, lilting, bruised heart of a song. One of the most exquisite from any Welsh band ever. And as grandiose hyperbolic proclamations go, that's one of my best, but also one of my truest.

Fittingly they start the set with Fire Inside - and despite the fact that it is shorn of the garage organ that so authentically embellishes the album version, it sounds ace: hungry, sharp, affectionate, affecting. And the reaction to the band is all these things, too. Okay, we're not talking a stadium full of people, here, but the hundred or so people watching are transported and elevated by the band's voodoo charms. And 'voodoo' isn't a word chosen casually.

Apart from the artfully played slow songs, most of the set is bolstered by primal blues riffs and rhythms. The Keys understand that the best rock n roll is sexual, and that lustful energy drives the set along, leaving an audience not too bemused by some of the more out there, psychedelic interludes sweaty and satiated.

The elephant in the room is the retroactive perspective from which every one of these songs is drawn, If you're dismissive of form over content, then it would be easy to ignore The Keys on the facetious basis that they sound so steeped in 60s psych and garage rock. If you're something of a fan of that period - of the influence of Love, 13th Floor Elevators and The Beatles - you'll hear the threads of those bands woven with great love throughout The Keys' music.

It's much more than trainspotting chord sequences and sounds from a generation ago, though. These songs have an emotional core. Hearing Matt sing "I'm as lonely as a hole in the ground" towards the end of the set on O Lord! is transfixing. He endows these old sounds with now feeling and now charisma. But nowness is nothing to get hung up on.

It's not always about being original. It's about being good. And tonight The Keys were brilliant.

Saturday at Sonar By Day

As a lovely change of pace and sound from Friday's mayhem, Saturday at the 2010 Sonar Festival starts with Jimi Tenor and Kabu Kabu, and their large African sound. It's lively, colourful, and sadly is played to a Sonar in the rain - which, by the way, is greeted by cheers from the crowd.

It's worth noting that just before they took to the stage, a Spanish DJ, David M, played some amazing skanking tracks too. Down to the basement hall for Post War Years next, a band who played my showcase at Swn Festival last year, and following hotly on the heels of bands like Foals with their clever intricate play and swirling sounds.

Highlight of the Day, was a total one off performance from , a rock project from turntabalist Kid Koala. Kid Koala, has an infectious sense of fun in his performances and it would be well worth having a little look at this footage from the festival. It was their only European date - crazy!

Saturday at Sonar By Night

So it's another mad dash to go from Day to Night, and we get there in time for an hour and half performance from the legends Roxy Music. I was about to give up, thinking they'd forgotten about their hits, when the strains of Virginia Plain echoed out, and heralded a run of hits at the end of the show. Bit too much sax generally though!

Next it was a relentless show from F Buttons, and a pure holiday cheese from Dizzee Rascal. Sadly I couldn't make it all the way to see the Chemical Brothers and their amazing new audio visual album concept which I've heard so much about - it was home time, and sleep time.

Sonar 2010, will be vintage, another amazing rave in the sun for another year.

So, hopefully by now we've established that Barcelona is my new favourite place, and it wouldn't take much for me to seriously move there. However, the petty crime and passive smoking are still pretty galling so for now Wales is still my happy home, with brief flirtations here disguised as holidays.

I'm back in Barca only a few week's after Primavera to taste the finest electronic music on the planet, with spectacular visual representations, the best DJs, producers and live acts at Sonar Festival 2010.

Sonar starts on Thursday afternoon in the incredible surroundings of the Modern Art Gallery, the . There are four stages, and plenty of ad hoc little performances, stalls, demos, and intriguing events all around. The first guy I watch is , an actor-turned-musician from Spain, with stunning custom made visuals, especially for the occasion. This is why Sonar works where many laptop/electronic gigs fail. The visual and sensory is vital to each show.

On we go with the afternoon, watching Professor Green, Speech Debelle, Pete Tong, but the day's highlight was live band , from Canada, who receive a rapturous response to the subtle building of their set, reaching elevation with the underground hit Odessa. It's a moment alright, and I've been addicted to listening to them since my return.

The day ended with an incredible set from Broadcast. For some reason they were being heckled by a large majority of the crowd, maybe due to the 'difficult' start to the set, definitely turning away loads of the Sonar crowd, before settling into a beautiful groove, of sonic and visual atmospheric wonder.

Friday at Sonar By Day

I arrive at the Village stage to catch Ö÷²¥´óÐã Introducing band blow away a Sonar crowd. Their music encompasses all elements of dance from techno to dubstep, and singer Ayu sampling and messing with her vocals just adds so much to the performance. She's charming, and eye catching too which helps.

Nedry are one of the stand out performances from the whole festival, encompassing what Sonar is all about - new electronic music. Nedry are very exciting right now.

Downstairs in the dark Sonar Hall, another UK act are making some new friends. King Midas Sound, is a dark, menacing, loud, dubstep mash up of influences, with poet and Japanese singer bringing all kinds of levels to the show.

Sadly I miss my favourites Delorean, as I'm determined to fit in a siesta before the big night ahead.

Friday at Sonar By Night

We pile on the party bus from the bottom of La Rambla, Barcelona's main tourist trap, to the biggest warehouse type aircraft hangers, ready for the evening's rave up. Air are in full ethereal flow, all mellow beats, inane smiles, and lyrics that leave all the worries of the world behind.

Their light show is spectacular, and is a great way to kick off Sonar By Night. Next we run next door to catch some of Mary Anne Hobbs' DJing on her own hosted stage, followed by Joy Orbison, whose set is sadly ruined by an incessant MC with nothing to say.

Tonight's line up is so incredible I can't even go close to the furthest stage where one of my favourite bands, Hot Chip are taking to the stage because LCD Soundsystem are about to lay waste to all other shows. It's just the greatest show, the greatest band, the greatest frontman, the most incredible soulful songs, the best driving live rhythms, and the craziest crowd. I'm thrown about like a rag roll, but don't really notice, as I'm so transfixed by LCD tonight.

From here I catch some fun from Sugarhill Gang, who end up talking so much, they loose half their set! The evening ends with 2Many DJs, the Soulwax brothers who have the best audio visual set up of the night.

Each time they sample famous records, the sleeves themselves start dancing on screen. They are masters of the CDs, and simultaneously triggering the visuals - its amazing! With happy faces, and tired feet I head to bed at an ungodly hour!

Read about Saturday at Sonar 2010.

Cardiff's is to move to a new premises for the first time in 60 years.

Said to be the oldest record shop in the world, Spillers will for a final time this Saturday before moving to new premises elsewhere in the city.

Spillers was opened by Henry Spiller in Queen's Arcade in 1894, selling music on wax cylinders and shellac discs. In the late 1940s it moved to its current location at 36 The Hayes, where it became something of a Mecca for many south Wales music lovers.

Famous customers have included Manic Street Preachers, Cerys Matthews, Super Furry Animals and The Zutons. Signatories of a 2007 petition to keep the shop open in the face of rising city centre rents included Bob Dylan, Bruce Springsteen, Beyoncé and Justin Timberlake.

Owner Nick Todd is said to be discussing a move to either the Royal or Morgan Arcade with landlords Helical Bar.

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This week's scouring of the Welsh musical constellations brings you the first part of my conversation with David Wrench about his new album - an album rooted in old folk songs of 'insurrection, defiance and rebellion', reanimated in such a blackly iconoclastic manner that the album defies almost every convention you dare throw at it. For that reason alone the album warrants investigation. It's an album that expounds the dark political souls of these remarkable songs of truth in a daringly contemporary manner, buckling convention whilst simultaneously sounding thrilling and unsettling is one of the high achievements of Welsh music. Truly.

bbc.co.uk/iplayer/episode/b00stlqq/Adam_Walton_20_06_2010/

From another dimension of the musical universe comes a half hour mix of warm-hearted, playful electronica from Cardiff's Mice Girls. Their melodic synths tumble like prismatic waterfalls all over the dancefloor in your mind. You do have a dancefloor in your mind, don't you? At my age, it's the only place to dance with any dignity. It's half an hour to elevate and invigorate you. Still don't know anything about their mysterious mousey selves, though. Ah, well. Sometimes you can know too much.

Godfather of the Welsh underground, founder member of Y Fflaps, Ectogram's Alan Holmes, reminds us of some of North Wales' fascinating - but largely uncelebrated - musical past. This week he recalls Some Noise - a band that featured a North Walean talent who has as much claim as anyone to inventing punk rock.

A man called Ben eulogises the electronic musical genius of Laurie Spiegel.

And we have new Welsh music from all over the country - including debut plays for Cut Ribbons, Liars Beware, River Kids, Tacsi, Piblotko and the Abodes.

** send new Welsh demos high in inspiration to: themysterytour@gmail.com with a short biography and a contact number, please **

Next week, more from David Wrench & a live set from Wrexham's Gallops!

Have an excellent week.

Thanks / diolch yn fawr,

Adam

We Shall Visit

When Will The Water

Sex

The Seed 2.0

This Is A Chicken

Popinjay

A Biting Wind Followed By An Occasional Drift Of Snow

I Might Get Cold

LUNGWAH
The Snag

Diolch

Great Enemies

SOME NOISE
In Transit

People Meet People

Kitchenn For Beth On Radio 1]

Vacant Vessel

Do You Want A Boyfriend?

Penelope

Scooter

A Radical Song

The Dragon

What To Do

Exclusive mix

Clothes

Evils

Another View Point

VOLTAGE
All Night [azari & Iii Remix]

DANIEL STEINBERG
Tom's Diner [bingo Remix]

ETIENNE DE CRECY
Gorkster

PEACE DIVISION
Eh Oh Um

ANDY CALDWELL
It's Guud

JAVI COLOURS
Shined On Me

Infestation

THE ABODES
Potato Tragedy

LAURIE SPIEGEL
Appalachian Grove 1

Taste Like Chicken

Hot Gal

The Western Mail that Welsh pop/opera star Katherine Jenkins is to pay tribute to the victims of the Cumbria shootings at a festival in the area.

Next week's considered cancelling in the aftermath of the shootings, but organisers decided to proceed with the event at which Katherine Jenkins, Status Quo and N-Dubz are appearing.

Jenkins will be singing a tribute finale at the event, dedicated to the victims and families.

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Listen to Grant Nicholas of Feeder talk to Radio Wales' Alan Thompson about their new album, Renegades, released on 5 July.

Grant also shared his thoughts on the death of Stuart Cable and how supportive the former Stereophonics drummer had been to his band.

.

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We've been thinking about top notch record sleeves from Wales this week and we'd like to hear from you what sleeves you'd nominate.

Now I'm not naming names here, but this discussion was apropos of a journey through some old Welsh records kicking around the office and - my god! - there were some shockers. Bad Photoshop, use of the Comic Sans font, cheesy poses and laughable titles. Now obviously we can't post these execrable excuses for art; it simply wouldn't be fair.

Instead we celebrate some of the top sleeves; those which are arresting, fascinating, iconic or beautiful in their simplicity.

One of the sleeves which kept coming up is Manic Street Preachers' Holy Bible from 1994. The stunning image is a painting called Strategy (South Face/Front Face/North Face) by . She gave the band permission to use the work free of charge after Richey Edwards told her the meanings behind every song of their classic work.

The Manics have other honourable mentions for Generation Terrorists and Journal For Plague Lovers.

At the other end of the spectrum when it comes to complexity is Gorky's Zygotic Mynci's 1995 album Bwyd Time. It's as complex and psychedelic as the music that it heralds. It was actually done by who was also their producer. He was once in the Welsh band Fflaps.

One more sleeve using artwork by a bona-fide artist is Catatonia's Way Beyond Blue from 1996. It was part of a series of paintings by Elfyn Lewis used by the band at the time.

How about some cheese? This sleeve from 1965 is just fantastic:

It's Tom Jones's 1965 A-Tom-Ic Jones, his second UK album. It's studio-produced, quickie art that just screams the era: Jones, suited and booted, in front of a Nevada Desert-like nuclear test explosion. It's so bad it's great - Tom Jones, it shrieks, is as powerful as an H-bomb.

Nine years later another Welsh icon, Max Boyce released Live At Treorchy. Wearing a leek, of all things, Boyce grins out of the cover exuding Welshness. His entire career is based on that cheesy Welsh identity and this sleeve distils that down to a classic sleeve - a favourite of car boot sales all over Wales.

Not cheesy in the slightest is south Wales stoner/sludge metal band Taint's The Ruin of Nová Roma from 2005. It's beautiful, but slightly disturbing. Is the girl crying? Romanesque ruins fight for attention with organic, styled flora and fauna. Jimbob from the band says, "I am very much influenced by Czech art nouveau artist . I couldn't avoid this influence when doing this cover and I wanted a balance between the contempory hard vector lines and more organic shapes and colour palate."

One of the most iconic images from Welsh culture can be seen on Super Furry Animals' Fuzzy Logic. Celebrated reformed drug baron and ambassador for the more laconic side of Welshness, Howard Marks, is pictured in glorious high contrast technicolour sporting the range of looks which helped him evade international narcotics police.

Lastly, a bit of a curveball, Luck by The Storys. It's included because of the by NeeCee, one of the contributors to the band's website. "The cover does a great job at summing up what it is like trying to make it in the music business," she says. "Everyone tells you you need more than just talent, you need a lot of 'luck' too. [But] you find that you are up against other acts that try to make their own luck by coming into the game with loaded dice. So for the band to wrap things up with their third and possibly (probably?) final album Luck, with that particular cover, speaks volumes. Not only the best Welsh album cover, but for me, one of the best album covers of all time. It's the business (in more ways than one.)"

Do you agree with any of these? Do you disagree? What are your own suggestions?

Feel free to comment! If you want to have your say, on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

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On this week's celebration of the most interesting new Welsh music that has hammered my ear drums this week, Spencer McGarry from the Spencer McGarry Season, talks to us about the Wonder of the Welsh World that is their new album Episode 2.

Spencer hasn't allowed the flatlining industry to limit his musical ambitions. Most musicians would downsize their vision of an orchestrated 'difficult' second album if they had to fund the whole affair themselves. Not Spencer. And the story of how he assembled the cast of over 10 (!) and communicated his musical ideas to them is a fascinating and uplifting tale of determination and irrepressible talent.

Huw Williams - somewhere in between rehearsals with a newly-minted version of the Pooh Sticks - reminds us of the hitherto rather unsung talents of . Robbie's career involved some excellent records, but also mutated into a very high profile TV career in Canada, where Robbie rubbed shoulders with the likes of Abba and Michael Jackson in their pomp.

The man formerly known as Soundhog, but now just plain Ben, is punk baiting with a sizeable chunk of Wishbone Ash.

We have a large slice of Polly Mackey and the Pleasure Principle's recent set for Yr Wythnos Fach at Central Station in Wrexham. Polly's fine songs have caused seismic levels of excitement in the beleaguered boardrooms of what is left of the music industry. She and her band have played Texas' uber music showcase SXSW for the last three years and her début EP comes out in October. Her songs smoulder with insouciant yearning and heart-rending, minor key melodies. They're very good, in other words.

Lara Catrin translates the opaque, scatty and bonkers Chwareon (Texas Radio Band) and I have fascinating sounds from all over Wales, including debut plays for: Rural, Loose Buoy, Nucleus Roots and The Spirals.

Demos can be bunged in this direction: themysterytour@gmail.com

An e-mail address that is also useful for gig info, announcements, belligerence and party invitations.

Have an excellent week.

Next Sunday night, David Wrench begins to unravel his new album Spades & Hoes & Plows for us. Will be fascinating, I promise.

Dal i gredu!

Adam x

Smoke Fire

Wall Of Arms

The Lollipop Lady's Favourite

Greyhounds

Chemistry

Bound For The Baltic Sea

Hangman

Banish Negative Thoughts [napoleon IIIrd Remix]

Waiting For Isabel

THE CALLING CARD
Weight Of The World

RURAL
Alahberystwyth

You Stop The Rain

THE RAES
A Little Lovin' Keeps The Doctor Away

Lost In Time

The Giveaway

Iceberg [session Track For Beth On Ö÷²¥´óÐã Introducing]

Horse In The Rainbow Rain

Tatters

Live From Central Station, Wrexham

NUCLEUS ROOTS
Rocker

THE SPIRALS
Hang On To Yourself

The Serology Of Love / In Nervous Sleep

Undegpump

TEXAS RADIO BAND
Chwareon

Intention Ten Folds To Tension

WISHBONE ASH
The Pilgrim

Last week my fellow blogger Adam Walton was deliberating on Facebook what track to play from Paul Simon's while DJing. Against all my expectations, Adam was not greeted by a deluge of gleeful opprobrium.

Instead, a few people admitted their appreciation for a record that, while suffering the ravages of time, has a place in a lot of people's collections, including mine. It got me thinking about 'guilty pleasures'; records that - were they released today - would never pass muster and find a place on your shelves.

Graceland (and I defy anyone not to enjoy Boy In The Bubble or ) came out when I was eight, and being eight is fantastic. It was the soundtrack to 1986 and was genuinely a leap forward in its exposure of rhythms, instruments and sounds that the western music world had simply never heard before.

For me, nostalgia is a great cover-all excuse, so alongside Graceland, there's a whole stack of appalling '' - poodle-permed 80s rockers in spandex.

When I heard the likes of Guns N' Roses, Bon Jovi, Van Halen and Mötley Crüe I was spending my summer holidays playing Sonic The Hedgehog on the . Endless holidays, silly conversations, sun. So every time I hear the strains of or I get transported back to some of the most fun times of my life.

Welsh journalist Richard S Jones believes guilty pleasures are not only about nostalgia; indeed, they can perform a function: "I always compare the 'guilty pleasures' in my record collection to those filler stories you often get at the very end of the news; those little relief news items about a squirrel that has taught itself to sky dive, or a pensioner that can roller skate on elbows. They are sort of there to remind myself that I have a sense of humour, and that it's not all ."

Of course as one gets older it's less important to mask the more cheesy elements of one's record collection. At school, as a teenager desperately trying to construct a cool facade, you drop the latest hot beat combos into conversation, carefully neglecting to mention the East 17 record you surreptitiously bought. But then all that goes out of the window when it's no longer as important to impress girls and score cool points over your mates. Is there any such thing as a guilty pleasure over the age of 30?

Music journalist says, "Around 30 I think you realise cool as it's generally defined is silly. Or as my dear friend once said, 'cool is just dumb with sunglasses'".

Meanwhile, Welsh epic pop maestro says, "I love loads of dodgy pop records. I justify it by claiming that if I like it then it must be cool anyway." That's confidence for you, but Wrench's statement really nails the key to abandoning the concept of guilt.

These days I'm out and proud of my love of poodle rock, not to mention all the top 80s pop of the likes of Pet Shop Boys, Duran Duran and Frankie. I could go on.Ìý

Sarah Bee takes a holistic approach. "I just don't distinguish between pleasures and guilty pleasures, so I can't tell you what my guilty ones would be," she says. "Ten different people could look through my mp3 player and pick out 10 different things that they think are awful. I do have things i wouldn't admit to liking but that doesn't really mean I feel 'guilty' about liking them. I just don't necessarily care to justify them to others if i think they'll point and laugh or try and get into a tedious debate."

I relate entirely to that. I couldn't tell you how many entirely pointless conversations I've had - and hours wasted - in explaining why I like Pearl Jam.

Talking to friends now, in their late 20s and well into their 30s and 40s a pattern emerges. The most proferred examples of guilty pleasures are 1980s pop rock: Phil Collins, Go West, Bryan Adams and so on. Old music seems, like old cars that were once dreadful sheds, to develop a cool of its own, born out of its weirdness. So a band like The Bee Gees, deeply uncool at one point, are maybe music's . And new music seems just too... new to be a guilty pleasure.

The 1980s almost have a monopoly on guilty pleasures, whether it's cheesy spandex rock (Jarrad Owens of : "I got into Manic Street Preachers really early and digested as much Manics-related stuff as possible, it lead me onto bands like Hanoi Rocks, New York Dolls which in turn got me into Motley Crue, Poison, Danger Danger...") or Genesis and .

It's from the 1980s that the Welsh guilty pleasures come too. Jarrad Owens says, "Then there's Tigertailz. You can't not love the greatest glam band no-one's heard of, especially when they're from Cardiff". Then there's Bonnie Tyler and probably Shakin' Stevens. What are your own guilty pleasures, Welsh or otherwise? Try admitting some of your guilty pleasures; it's therapeutic.

Feel free to comment! If you want to have your say, on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

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Welsh music legends John Cale and Karl Jenkins have been honoured in the Queen's Birthday Honours List.

The former Velvet Underground man is made an OBE while the classical composer, already an OBE, is made a CBE.

Also honoured, with an MBE, is the accompanist with Côr Meibion Y Traeth, Gres Pritchard. She has accompanied the Anglesey choir for 40 years and has been recognised for her sevices to the music on the island.

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The Ö÷²¥´óÐã Wales Arts blog is also covering Catherine Zeta-Jones' CBE.

Feel free to comment! If you want to have your say, on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

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The weird and wonderful career of Super Furry Animals frontman Gruff Rhys continues this summer with a strange, low-budget documentary film about tracing his distant family's life in .

Separado!, directed by Rhys and Dylan Goch, follows his journey to the Argentinian-Welsh community in South America. He encounters distant relative and musician Rene Griffiths, whose 1970s career saw him become something of a star in his native land.

, "At worst, it's a Borat-style search for someone. At best, it's a musical road trip couched in a magical realist style."

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Seperado! is having its American première next week at the Los Angeles Film Festival and will be released in the UK later in the summer.

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With the recent in Dale getting headlines earlier this month, Welsh police forces and local councils .

North Wales Police's Chief Inspector Andrew Williams said, "The natural beauty of the north Wales area has, on occasions, led itself to the unfortunate seasonal phenomenon of open air gatherings where loud music is played and which many young people attend.

"Events of this type are illegal unless they are licensed and the organiser has complied with his or her lawful requirements.

"Illegally-held events are a nuisance to the local community and are, through their lack of organisation and regulation, quite frankly dangerous."

He said the police response may include arresting those who attend the events as well as organisers, and seizing music equipment.

The heyday of raves in the late 1980s and early 1990s saw such events as the lead to tightening in laws in the . When it was making its way through Parliament, the bill was campaigned against vigorously by acts such as The Prodigy. It was a cause célèbre for the alternative music world.

But the protest was unsuccessful and the Act was successful in reducing the number of unlicensed raves, although a change in club culture in the mid- to late-1990s also contributed. These days, almost 20 years down the line, some dance fans are keen to return to the days of free parties, communal gatherings and the hippy ideal that differentiates it from the conventional clubbing scene.

So how do dance fans go about staging an event within the rules?

Searching for decent information from official sources can be hard; is Byzantine in its complexity and the search function doesn't throw up many useful suggestions (it's fine if you want a fishing rod licence, however).

You need to get to the to find the relevant information. Included in the section is 'Premises Licences' information which states that any live or recorded music needs a premises licence.

An application for a premises licence can be found here: .

The Department for Culture, Media and Sport has a that has a useful Q&A list.

Suffice to say, officialdom doesn't make it easy to stage outdoor music events. But with high costs for policing and clean-up (no matter how good the intentions of the organisers and ravers), it's no wonder that this should be the case. New technology makes it easy to organise things spontaneously, and surreptitiously, but working within the law should be feasible if the desire to stage something is strong enough.

Feel free to comment! If you want to have your say, on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

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Two Welsh bands are to support Sir Paul McCartney when he plays Cardiff's Millennium Stadium later this month.

Manic Street Preachers and The Joy Formidable will join the writer of (The Frog Chorus) and ex-Beatles bassist at the enormous venue on 26 June.

Manic Street Preachers said: "It is a massive thrill to play the stadium again and an even bigger thrill to be playing it with the legend that is Sir Paul".

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This Saturday sees Swansea's Singleton Park reverberate to the sound of bass beats as the annual Escape Into The Park dance festival gets going once more.

It is by far the biggest dance event in Wales and the west of England. When many other events have fallen by the wayside it has been successful through decent investment, a takeover by the Angel Music Group and pretty much the best line-up of mainstream dance DJs it's possible to muster.

Now the idea of sharing a field with 30,000 sunburnt teenagers drinking alcopops and throwing shapes while coming up on bad pharmaceuticals isn't my idea of a good time; but for those who avoid sunstroke and the St John Ambulance tent, it's an annual celebration of hedonistic abandon to a thumping soundtrack.

This year sees five stages keep people's attention - with headline appearances from Above And Beyond, Steve Angello, Judge Jules, Andy C and Darren Styles. Past EITP star and Radio 1 DJ Dave Pearce has nothing but good opinions about the event. "The greatest thing is that it's not a big corporate affair," he says. "It's almost like a family thing, a chance for some of us DJs to catch up with each other.

"It's always sunny too - whenever I've played Ö÷²¥´óÐãlands it rains! Escape is a great event to do and I really enjoy it. I do believe that it's putting Wales on the clubbing map."

This year's event looks like being another sunny affair. Be sensible, drink water, wear one of those and slap on the factor 50.

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Are you going to Escape? Feel free to comment! If you want to have your say, on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

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Cate Le Bon, Islet, and Man Without Country: Friday 4 June

How The Light Gets In is a new philosophy and music festival in Hay on Wye scheduled during the world famous Hay Festival but very much its own event. I'd been invited to curate an evening called The Friday Night Shindig and to call up some of Wales' finest to come join me on the night.

It's a balmy, sunny Friday afternoon as I'm sat amongst the yurts and grass mats, a relaxed courtyard of philosophy events, hearing random readings and generally enjoying the atmosphere. Hay itself is always a delight and a pleasure, and this lawn area outside the Globe is a mini festival delight.

is on first, despite being the headliner, the scheduling more to do with the book/talk style ticketing than a music event.

Cate is the perfect opener, relaxed, funny, mesmerising, and her beautiful voice just echoing around the Globe Theatre's chamber of art and light. Behind her graphics of travelling scenes, and strange stoic human statues, add to this haunting vibe.

Next we descend the narrow stairs at the back of the room to hear , in the cellar. The band hail from the next village along, so there's a good home crowd for their performance. "We're down in the basement like trapped bears!" shouts Mark, one of Islets' many vocalists as he starts pogoing into the crowd, and gaining quite a momentum with a small crowd of enthusiastic fans at the front.

Islet are the unexpected, and always play to this, smoothly running around the instruments in each song, and defying all categorisation, structure or convention. Tonight they are superb, and the cellar is such a perfect location for their brand of avant garde.

Back up to the bright and church vibe of the Globe's main room, and newcomers , Wales' most recent success story, suddenly find themselves headlining, which is in itself a lot of pressure while their truck load of gear, and complex set up could cause a few nervous breakdowns before they've even started.

But right on cue, they are winning over the crowd to their 'soon to be' anthems, and get us all in the mood for the disco to follow - oh, yes, right, that's my job.. back down the basement to what is now a fairly unpleasant sweat pit to get the party going, and going and going, until tired and sopping, dripping home, we wander through a sleepy Hay to find our beds for the night.

For more info on the festival:

The lifeblood of my Sunday night Welsh music show is - by rather obvious definition - Welsh music. Despite this having been an excellent year so far for Welsh albums (quick, non-definitive list: Race Horses, Tim and Sam's Tim and the Sam Band with Tim and Sam, Paper Aeroplanes, Los Campesinos, Marina & the Diamonds, Kids in Glass Houses et al), things have been much quieter with regards to new bands/producers and artists making themselves know to us.

There have been great, inspiring exceptions to that statement: Crash Disco, Hyener, The Bright Young People and Samoans have all blown new holes through my eardrums over recent weeks. But, in general, this does feel like an interminable calm before an overdue storm.

Maybe this is because I've got lazy, stopped turning over as many stones as possible to see what lurks underneath. It's been a breathless year, stone turning may well have taken a back seat as I ran around for Wales Music Day and Yr Wythnos Fach. But it's what is under those stones that intrigues me the most. The artists I've never heard of before, the ones making unexpected sounds, the unfamiliar names and MySpace addresses, are what makes me so excited to be able to share three hours of other peoples' visions every Sunday night.

I don't care where in Wales you're from. I don't care what language you choose to sing in, I don't care which pigeonhole people try and squeeze your music into. I don't care how old you are, what your haircut looks like, or how tight or loose your jeans are. All I care about is how interesting, innovative, fresh and passionate your musical ideas are.

So, in short: I want to hear your music. I want to share it with the show's audience of music lovers; an audience of thousands that includes many influential label owners, promoters, bloggers and enthusiasts who may themselves get enthused by what they hear and share it with their followers. And, wherever I can I will offer you an honest ear, constructive opinions and whatever other help you ask for.

That is precisely why shows like mine exist.

It's a service you're enthusiastically encouraged to take advantage of.

And even if you're not a musician of any description, I want to hear about bands you've heard that have fired your imaginations and got you excited.

So, get those (high quality) .mp3s to me, with a short biography and a contact number ASAP. Send them to: themysterytour@gmail.com - just send your best one or two tracks.

I'll get back to you as quickly as I can. If I play you on the show, I'll let you know in advance.

Whether you're from Amlwch or Ammanford, Aberystwyth or Aberdare; whether you make the most opaque and terrifying doom metal or bejewelled, sunny folk pop, I'm stupid keen to hear your creativity.

Over to you.

Thank you / diolch yn fawr iawn.

Two days after the death Radio Wales presenter and former Stereophonics drummer Stuart Cable, his family have released a brief statement to the press.

"On Monday we lost not just a rock star but a father, son and brother" it read. His funeral will be a private family affair, and the family have requested that the media respect that wish.

Photo: Jon Pountney

This week a to get Stereophonics' Local Boy In The Photograph has gathered momentum.

It was set up by Ross Burt, 36, who posted this explanation for the group: "When I heard the news I was in shock all morning. He was only human obviously, but you just don't imagine someone with a personality like his to die so young.

"I logged on to Facebook to see loads of people posting a tribute as their status so I had the idea to get a group together for all the fans.

"Then Local Boy came on the radio and the lyrics felt so right and I then had an idea to see if we could get it back up the charts.

"I thought it would be the perfect tribute to Stuart."

Ö÷²¥´óÐã News today reports that . A post-mortem examination has been carried out at Prince Charles Hospital, Merthyr Tydfil. The cause of death will not be known until toxicology tests are completed. The results can take up to six weeks, South Wales Police said.

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Tributes to Stuart Cable have been made by many people across the UK and the world, from his ex-bandmates in Stereophonics to Welsh Assembly ministers.

While we've been collecting tributes from ordinary fans of Cable, here's a collection of quotes from the great and the good.

Stereophonics frontman Kelly Jones:

"He was so funny, so full of life and contributed so much to Welsh music. My heart, my thoughts and my prayers go out to Stuart's family x." - Katherine Jenkins

"Whenever you met Stuart, you always walked away with a massive smile on your face. Such a gigantic personality which was reflected in his drumming. He really will be missed." - Manic Street Preachers

""I am so sad and shocked at the news about Stuart Cable. He was such generous company and will be missed terribly. My love goes to his family. He was a truly lovely person who was passionate about not only his own music but others too - a genuine star in that sense, and gone too soon." - Cerys Matthews

"I will remember him as someone who was so alive - I can't believe he's gone. I don't know what the circumstances are but it's a real tragedy. He was always smiling and laughing and great to be around. He had lots of energy and couldn't wait for the next day to come around. He was a larger than life character who seemed to be a driving force behind the personality of the Stereophonics." - Mike Peters, The Alarm

"He will be remembered for his big heart and booming voice, his bonhomie and his compassion for those less fortunate than himself. I will always remember him as a loyal friend. Someone I shared many of the best and often the funniest times in my life." - John Brand, manager

"He was so full of life, such a character. He always made you feel welcome. Always friendyl to us, always looked after us on tour, There's not many people like him you meet in this business. He had a big heart and always had time to talk to everybody." - Grant Nicholas, Feeder

"Such incredibly sad news. May I offer my deepest sympathies to Stuart's family and friends at this difficult time. Stuart was an incredible musician, a fantastic broadcaster but more importantly he was an amazing human being. I feel honoured to have shared a radio studio and many a backstage chat with him for both the Ö÷²¥´óÐã and commercial radio as his energy and generous spirit was truly infectious." - Kevin Hughes, former Ö÷²¥´óÐã Radio Wales presenter, now Capital FM London.

"Everyone in Only Men Aloud were shocked and saddened to hear of the news of the passing of Stuart Cable this morning. Stuart was "one of the boys" and was very excited about our new venture; Only Boys Aloud, wanting to lend his support by performing with us at various events in the near future. At our launch in Merthyr Rugby Club a few weeks ago, he mucked in with everything that was going on and was, as he always was, a truly great bloke- an international rock star with his feet firmly planted at home in the Valleys. He will be sadly missed and our thoughts and sympathies go out to his family and friends." - Only Men Aloud

"Stuart was someone who gave a lot of hope and inspiration to young people who wanted to make music in Wales and proved that you can really achieve anything. I had the pleasure of meeting him a few times and he always had a smile on his face whenever you would see him. He always had time to talk to people and was interested in hearing about what was going on, especially in the Welsh music scene. I was so sad to hear the news today, he will be greatly missed by so many people but never forgotton. Rest in peace." - Romesh Dodangoda, record producer

"He was always lovely when we met. Love to his family and friends. RIP." - Chris Moyles

"It's a real shame and I'm shocked to be honest. I've met him a few times and he was always really pleasant and had time for everyone. After this weekend, when we got to play with Stereophonics, it's terribly bittersweet." - Aled Phillips, Kids In Glass Houses

"Hard to believe the news about Stuart Cable. Such a lovely, funny guy." - Bethan Elfyn

"Very sad news about Stuart Cable this morning. My thoughts are with his friends and family." - Huw Stephens

"Stuart Cable RIP. Very sad." - Zane Lowe

"RIP Stuart Cable... Can't believe the terrible news. Such a lovely warm and funny bloke and great drummer. Love to his family and friends." - Jason Perry, record producer and member of A

"Terrible about the death of Stuart Cable the Stereophonics' drummer, met him two weeks ago - what lovely guy." - Dom Joly

"R.I.P. Stuart Cable. X" - Ian Watkins, Lostprophets

Just woke up to the news about Stuart Cable. Absolutely gutted. You'll be very missed sir, RIP." - Mike Lewis, Lostprophets

"All the times I've ever met him he was awesome. Super-friendly and an all-round top bloke. Gutted." - Lee Gaze, Lostprophets

"Terribly sad news about Stuart Cable, such a lovely, warm, funny, talented man." - Rob Brydon

"Stuart Cable! Damn that's sad." - Fran Healy, Travis

"I was so shocked to hear Stuart Cable had passed away today.I always enjoyed chatting to him.Super drummer. Super guy. I feel for his family x." - Robert Earnshaw

"Worked with him at V2 Records, every ex- V2er is in mourning today. Phonics were our heart and Stuart was theirs :(." - Sarah Harries

"Wales and the world has just lost one of its biggest characters. I've never known anyone who can put and instant smile on someone's face like Stuart did. He was such a friendly bloke and had a lot of time for his fans which is very rare these days. i was very fortunate to meet him at the Kerrang awards many years ago and became good friends with him and had many a good night out. there would never be a boring night out when Cable was around, he was the life and soul of the party. i will miss him and that powerful voice of his. you rock, RIP." - Pritchard, Dirty Sanchez

"I'm so sad to hear this tragic news. Stuart and I had only recently become friends, having played on his radio show. He was a good and passionate interviewer and had a deep knowledge of music. For instance I was very impressed that he knew who Paul Robeson was and his links with Wales. We got on so well, I felt like I had known him a long time which is a measure of his kindness and empathy. Stuart just made life bigger in every way. Whether you were in his presence or speaking to him on the phone you couldn't help but smile and be inspired by his enthusiasm. I'm missing that big deep voice already. This is such a shock and my thoughts are with his family and loved ones. Big love to you Stuart, you have gone far too soon. X" - Martyn Joseph

"Being a drummer and growing up in Aberdare, I always looked upon Stuart as a role model and an inspiration. When I started drumming as a young teenager I only hoped and dreamed that it could ever become more than a hobby for me, but seeing Stuart and the 'Phonics making a name for themselves coming from the same small valley in Wales really gave me the belief that anything was possible, and set me on the road to becoming a full time musician myself. "I think everyone who met Stuart had a funny story to tell about him. My favourite one was when we were performing at the Welsh Music Awards and Stuart was to present the award for 'Best Welsh Live Act'. During the rehearsal I was standing with Stuart behind the stage and Stuart whispered over to me 'Oh Butt- you've won the award - make sure you act surprised though and don't tell anyone I told you, or they won't have me back next year!' "We had the pleasure of running into Stuart many times over the years, every time with a wide grin plastered on his face, and every time he was the best of company. "After getting my requested Christmas gift from my wife of 'Demons and Cocktails' (and reading through it cover to cover on Boxing Day) I was looking forward to crossing paths with Stuart again to tell him how much I enjoyed the book, but sadly I never got the opportunity. "Stu - thanks for inspiring me to follow my dream. You will be sorely missed. RIP" - Ryan Richards, Funeral For A Friend

"I just wanted to leave my thoughts for his family and friends and to add what great company Stuart was, I spent some time with him and the lads from Killing For Company recording a few years ago and it was a really memorable time. Myself and Stuart shared drum riffs and our love for John Bonham, it was a memorable time and I will not forget his great company." - Greg Haver, record producer

I just wanted to send you something about Stuart Cable because since the early days of The Automatic he was one of the most brilliant and supportive people we encountered. He was one of the few really genuine people you meet in the music industry when he said he'd come down to a gig he would, and be one of the most enthusiastic people there, which to a bunch of eighteen year olds meant the world. From then on we'd bump into him all over the place and he'd always be there with big smiles, hugs and a friendly face, wanting a drink and a chat. He was one of those people that always left a massive impression, one of the few big characters left in a music industry which is becoming increasingly bland and tempered down. "The last time I saw him he was listening back to a mastered track from our last album and he came up, beaming, thumbs up shouting "IT SOUNDS LIKE SABBATH!" which was the biggest praise I think he could give. "I feel lucky to have met Stuart, shared a stage (even drum kits) with him. He'll be massively missed." - Iwan Griffiths, The Automatic

"I am shocked and saddened by this tragic news. Stuart was a hugely popular figure in the local community and throughout Wales as a whole and people are understandably devastated by his untimely death. I met with Stuart at a number of events in Cynon Valley over the years and was also pleased to welcome him to the Assembly some years back. Obviously my heart goes out to his family and my thoughts are with them at this very sad time." - Chris Chapman AM, Cynon Valley

Following the tragic news of the death of Stuart Cable, Radio Wales are broadcasting a special tribute show at 7pm.

Stuart Cable In His Own Words can be listened to live here.

If you have a tribute to Stuart, email wales.music@bbc.co.uk

I met Stuart Cable on a number of occasions over the years. The first time was when the band I was in supported Stereophonics at the Filling Station in Newport in 1996.

Even in those very early days of the band, his effusive, friendly charisma counteracted the more introspective nature of his bandmates. It made for a really interesting dynamic. His natural friendliness put me at my ease on a daunting night. Although we didn't share any more than a few minutes of talk with each other he made a massively positive impression.

The next time I met Stuart was when I went to interview Stereophonics at the Tivoli in Buckley round about the time Words Gets Around was released. The whole band were always friendly and but it was the spark in Stuart's eyes when he got on the subject of the classic rock that had influenced him and the band that most impressed me. That man loved Creedence, AC/DC, Sabbath, Deep Purple et al more than anyone else I've ever met. It was like a light shining out of him.

It's a great testament to him as a broadcaster that his enthusiasm shone out of every second of his Radio Wales rock show. Such a great shame that he hasn't had the chance to fulfill his potential as a broadcaster. In a matter of weeks, he'd already managed to become a great advocate for new Welsh rock music. He'll be greatly missed by the bands he'd already helped, and it's a great loss to those he now won't have a chance to.

Most recently Stuart played a massive part in Wales Music Day, Radio Wales' inaugural, day long celebration of Welsh music on St David's Day. Stuart co-presented the afternoon show with Roy Noble. He did a great job interviewing and enthusing about the new Welsh artists featured on that show - Georgia Ruth and Paper Aeroplanes. There was nothing affected about his enthusiasm for, and interest in, the music he was hearing. I know he made a very positive impression on those artists.

Stuart Cable, clearly, had a lot of experience of trawling around radio stations with the Stereophonics. He'll have endured - with great civility, I'm sure - countless radio presenters getting the name of the band wrong, or simply going through the motions with the questions that they asked him... he never did that. As a fellow music broadcaster that commands my absolute respect, for what that is worth.

And he was such a great ambassador for the Valleys. I'm from rural northeast Wales. Other Valleys icons - generally from the worlds of rugby or boxing - seemed as if they lived a million miles away from me and were part of a different culture. Stuart didn't though. His language was music and he spoke it as passionately and eloquently as anyone.

A sad day indeed.

When I last saw Stuart Cable, I was a guest on his Saturday night rock show on Radio Wales. I was telling him about the latest wave of rock from south Wales, and he was enthused and excited about this rock legacy that he was very much part of.

The tables were briefly turned as Stuart was interviewing me for a change. I'd interviewed him many many times as part of the Stereophonics line up. They were among the first session guests on the Session in Wales at its inception back in '99 on Radio One.

Stuart as part of the band line up was an incredible ambassador for the Stereophonics. Whereas Richard was shy, and Kelly sometimes aloof, Stuart always had a wicked sense of humour, and time for everyone he'd meet. He was also a powerhouse of a drummer.

Back to the the rock show that night a couple of weeks ago, and Stuart was as always warm, loud, charismatic, and above all relaxed. We laughed at his new trendy hair do - he was looking well cool to be fair, and enjoying being on tour with his band Killing For Company, supporting The Alarm.

Some of this magnetic personality is notoriously down to one of Stuart's finest talents; not since Richard Burton, Anthony Hopkins or Tom Jones, has the wonderful deep tones of the Welsh voice been so powerful.

His voice and personality opened doors for him long after leaving the Stereophonics, and I worked alongside Stuart with his first outing on TV, hosting his own chat show Cable TV. His warm relationship with the audience, and popularity with people of all ages went well beyond any musicians' aura. He was a welsh star, and man of the people through and through.

The news today of his death is sad, and we'll miss a great musician and broadcaster here in Wales. Stuart Cable, RIP.

It is with great sadness that we report that Stuart Cable, former Stereophonics drummer and Radio Wales presenter, has died aged 40.

Emergency services attended Mr Cable's house at Llwydcoed near Aberdare, Cynon Valley, at 0500 BST on Monday 7 June. Police say there are no suspicious circumstances. Read the latest on the .

Cable performed with Stereophonics from their formation as Tragic Love Company until 2003. A larger-than-life character, he was famed for his big personality and his big hair. He brought a sense of fun to his work, and was always full of stories about his time on the road.

At the time of his death, he was drumming with Welsh band as well as presenting on Radio Wales.

In the lead-up to the show's latest run on Radio Wales, he came in to talk to Jamie and Louise and was as enthused as ever about his music, his love of great drummers and the show.

Killing For Company were due to perform at Donington Park this Saturday and their new album is due for release shortly.

If you would like to leave a tribute to Stuart Cable, please email wales.music@bbc.co.uk or if you want to have your say, on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

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Tributes to Stuart Cable:

"Stuart Cable gave me his ticket for Wales v Ireland Six Nations a few years back at the V club just before kick off because I'd arrived late and mine had been given to someone else. Seats were on the half way line in the sun. We made the opening of the game and he arrived a little later after getting another ticket. I'll always remember having a good time with him at The Carpenters when I lived in Aberdare. A True gent.R.I.P." - Richard Proctor, They Walk Among Us

"Stuart will go down as the best Welsh Drummer of all time! He complemented the Phonics to their best work and was a great character in his own right. He will be sorely missed. RIP Butt." - Mike Jones

"I am absolutely devastated at the death of Stuart Cable. I saw his new band twice this year: once at the gathering (for another welsh band, The Alarm), and also saw them supporting The Alarm at the Citrus Club in Edinburgh. Having spoken to him both at the gathering, and in Edinburgh, he was a really, genuine, down to earth, and thoroughly decent bloke - and his new band were, I think, destined to really make their mark. My thoughts go out to all of his friends and family: it's a very sad day for Welsh Music." - Luke Campbell

"I met Stuart with my son (a keen drummer at the time) after watching Scarlets at Stradey a few years ago. Despite him being with friends, Stuart took the time to chat to my son about his drumming and what he should do to improve. This is a tragic event for Wales." - Ian Gravell

"Got to know Stuart through doing security at many an event over the years. Made a long day seem so much better. What a man. Will be missed." - Michael Davies

"It's a very sad day for Wales - RIP Stuart, he was one of the brightest stars in Wales! The marmite man he was know in his circle of mates! You will be sadly missed RIP - Stuart." - Mikey

"Never had the pleasure of seeing Stuart perform live but I have plenty of videos and DVDs of him drumming with Stereophonics and he was a truly talented and gifted performer. Stuart you will be missed. Rest in Peace x" - Sharan

"It's so unbelievably sad to hear the news about Stuart Cable this morning. For thousands of twenty somethings throughout Wales, Stuart was the face of welsh music as we grew up. He was larger than life and will be missed by millions." - Gareth Bate

"Can't believe he is gone. Never to hear those dulcet tones again is a tragedy." - Sue Pritchard-Jones

"There are very few musicians worth following. Stuart Cable was one of the few who were. Nice guy, funny and talented. The world needs more of his type, not less." - Ed Parnell

"Devastated Down Under in Wodonga, Victoria on this sad news of a Welsh Legend. From one Welsh Drummer to another. RIP my friend! X" - Steve Stone

"Very sad to hear a great fellow drummer has died. I met Stuart when playing with my band Haven at the Cardiff Barfly back in 2002. He was the nicest guy you could meet and we had a great laugh together. Another life taken far too young. R.I.P." - Jack Mitchell

"Stuart was quite simply the coolest man in Welsh rock, despite being part of one of Wales' finest exports there was no rockstar attitude, never anything but one of the boys. He championed young bands from the area offering them spots on his radio show and support slots with his band, he always had time for everyone. The Welsh music scene is a poorer place without him. R.I.P. Stuart." - Jarrad Owens, Amped

"A light has gone out in the valleys." - Sean, Rhondda

"Totally gutted to hear about Stu, He was the personality behind the Phonics and they've not been the same since he left. A true legend!! - Mike Smith

"I am so sad to hear about ex Stereophonics drummer Stuart Cable has died, I have been a huge fan of Stereophonics since the beginning and was really sad when he was sacked back in 2003. The band has never been the same since he left the band he was such a talented guy and what an amazing drummer he was. My heart goes out to his family especially his wee boy. He will be sadly missed." - Kimberley Barrack

"Our thoughts go out to all Stuart's family. He was a kind, considerate lovely, bubbly person. This news is just so sad and so shocking. Everybody loved Stuart. He will be sorely missed." - Elaine Davies, Ellis Davies and families.

"Seeing the Stereophonics live back in 1996 was something of a formative experience for me. They were the first band I ever saw live and it was a revelation to see ordinary guys from the same area as me doing so well, making such fantastic music and especially in the case of Stuart Cable having such a laugh doing it! Very sad he's gone." - Alun

"One of the reasons I became interested in Radio. He will be missed." - Steph

"Such tragic news. I remember seeing the Stereophonics at the Newcastle Telewest Arena back in 1999, and our section of the front row were having lots of banter with Stuart before and during the gig. He then came over to us at the end and gave me one of his drumsticks, accompanied by a wink and a smile. The band lost a lot of character and never really had the same personality after he left." - Jamie Tucker

"I wasn't a friend of Stuart's, but had the pleasure of touring with them when they supported The Alarm on a UK tour last month. He was such a lovely warm bloke; you couldn't fail to like him. Took this photo of him on the last night of the tour in Liverpool with his band Killing For Company showing support for the fight against Lou Gehrig's disease. It's a cliché, but he will be sadly missed but fondly remembered. It was a pleasure to meet you mate!" - Andy Labrow

"What tragic news, just want his family and friends that my thoughts are with them, super sad news for a Monday morning." - Catrin Hayward

"I am shocked beyond belief and utterly saddened to hear that Stuart has died. A few years ago I was in Queen Street in Cardiff with my husband and daughter when Stuart walked right past me. I was in my wheelchair and he was looking straight ahead so he wouldn't have seen me. He had his hands in his pockets and a smile on his face. I wanted to say 'Hello' but I felt stupid. I wish I had now. Seeing him made my day. Seeing or hearing him always made my day. I can't believe he's gone." - Eleanor Dent

"Gutted, heart wrenching, goose pimples, completely shocked & saddened! To say Stuart Cable will be sadly missed is but an understatement! RIP Stuart! xxxxx" - Tracey Russell

"Gutted, superb drummer and Killing For Company were clearly destined for greatness." - Andrew Allport

"Rest In Peace Stuart. A very sad day in South Wales. Condolences to his family." - All the volunteers from Rhondda Radio, Treherbert

"What a legend; you are going to be sadly missed! Stereophonics were not the same after you left, you added a spark that could never be replaced. R.I.P" - Phillip Kennery

"I've just read the tragic news about Stuart Cable on the Ö÷²¥´óÐã news website and frankly I'm stunned. Although not a fan of the Stereophonics I was a big fan of Stuart's show on Kerrang radio and always considered him to be the rightful successor to the legend that was Tommy Vance in terms of his appreciation and endorsement of all rock and metal music. His dulcet tones will be very sadly missed." - Nick

"I heard the sad news of one of the greats of Wales passing away; I was only enjoying the Stereophonics concert in Cardiff on Saturday night. Rest well Stuart, keep playing and being the guy you always shown to be. A pure inspiration a sad loss." - Darren Page

"Stuart was such entertainer and always made gigs interesting! Will always remember - and appreciate - all the time he made to chat and have a laugh with fans and interviewing him for our fanzine (I though we talked a lot but he gave us a run for our money!) so easy-going and friendly. A lovely, genuine bloke, who'll be sadly missed - RIP Stuart xx" - Susanna Ettridge

"My heartfelt condolences to Stuart's family at this sad time. I will always remember him as the man who helped me get through Sunday mornings working in a dire pub kitchen with his amazing choice of music peppered with banter and unbelievable stories. The world has lost a truly unique character." - Gary Anderson

"A welsh musical legend. You will be sincerely missed. RIP Stuart." - Andrew. Cardiff

"Legend ;gone but not forgotten. The Welsh community in Dubai are talking about such a sad occasion. RIP always will be remembered. True legend..." - Andrew

"So, so sorry to hear about the sudden tragedy of good man Stuart Cable. Sincere thoughts and prayers go to his wife, son and family at this very very sad time. Love Shadow, Bev and family" - Abercwmboi RFC

"My name's Anfa and I live in Paris... I'm a big Phonics fan since the beginning. I've seen Stuart many times performing in France, Wales and England. I had the chance to meet the full band for an exclusive interview for my website , the French Stereophonics site. I can remember one thing clearly: Stuart told me that he has all this energy onstage because of the fans, he was really proud to play for the kids and really entertained the audience by himself. Thanks Stuart, you'll always be in our hearts..." - Anfa Singsavanh

"RIP Stuart Cable! Seriously gutted to hear about this, the guy was a gent. Had the pleasure of drinking a few ales with him and the boys from the Phonics when they were last in Edinburgh together before his departure. Cracking guy, so full of life. I have last of the big time drinkers blazing in my ipod in his honour! Seriously saddened." - Sean Roseburgh, Edinburgh

"Really saddened to hear of the death of Stuart Cable. I met him at services on the M4 on my way back to Swansea, the day after watching the Stereophonics headline at the Reading Festival. He was next to me in the queue to get a fry-up and we chatted about how great it was that Tom Jones joined them on stage the night before. I couldn't believe how down-to-earth he was, and the fact that I was chatting to him in the fry-up queue after watching him on stage with tens of thousands of other people! Great memory for me - genuinely nice guy, he will be sorely missed." - Ben Kidd

"I worked on the first Stereophonics album (Word Gets Around) and spent quite a bit of time with the band. Stuart was a funny, warm and talented guy, and completely down to earth, very genuine. I am stunned by the news, such a tragic loss. My thoughts go to his family at the difficult time." - Emma Doughty (nee Jones)

"I've just heard the tragic news - I still can't really believe it. Stuart was a smashing bloke and I really thought that he was 'going places' with Killing For Company. I'm just glad I had the chance to see him perform one last time in April." - Dave Summers

"Rest in peace dude, you were a top bloke! Long time since we toured but will never forget getting hammered with you and the guys on the Subcircus tour when it was my birthday in Aberdeen!" - Rampton - Sound Engineer

"I'm a 30 year old from Cardiff who remembers the Stereophonics 'explosion' very well. In my late teens and early twenties, Stereophonics ignited a love and passion for music that I didn't know I had. Being Welsh and watching the early Stereophonics years instilled a sense of pride in all young Welsh people. Not only was the music amazing, but the boys were 'loveable rogues' who embraced their roots from the South Wales Valleys. Stuart, in particular, was such a likeable, happy and energetic person. Being the drummer, he could have so easily faded into the background. However, he was an integral part of the band and so outwardly talented, yet not arrogant in any way. The whole of Wales I'm sure, is stunned, just as I am. RIP Stuart Cable. You have shaped the music of Wales for years to come." - Gemma Dowers

"I have just heard the news about Stuart Cable. It is so sad. Whenever I met Stuart he always had time to talk and always was interested in what you were doing. Always happy. Always larger than life. Just Saturday I was at a photo exhibition in Llandaff, one exhibit of which was featuring a photo shoot of him and the band Killing For Company by Michael Morgan. We were saying what a character he was and how we admire how he's gone about things since leaving the Stereophonics. Also how we were looking forward to seeing him on the forthcoming tour. He will be sadly missed." - Glyn Mills

"I am absolutely devastated to hear this sad news. He was such a fun and larger than life character who was so entertaining in his performances back in the 'Old Phonics' era. I will never forget his energy during the Morfa Stadium gig back in July 1999 - it was one of my favourite ever days. He was an integral part of a band whose music has brought me such joy over the years. His music has given me and my friends so many good memories - so many early Phonics songs remind me of so many good times. He will be greatly missed. RIP Stuart." - Craig Price

"Having been a massive fan of early Stereophonics, I loved watching him drum, if not for his technically complicated style, but for his character behind the drums and his visible enjoyment. That is his legacy to my mind - and I will hold that influence with me throughout my own bands progress." - Daniel Holdsworth

"A true Welsh rock legend. You will be missed." - David Harris, Cardiff

"Very sad news about Stuart; condolences to his family. Saw and spoke to him only a few weeks ago. He was supporting the Alarm with his excellent new band, which he was very exited about .A true gentleman and a huge loss." - John Williams

"God Bless you Stuart! You will be an angel in Heaven now. Rock on! Sadly missed RIP." - Peter Paton

"Tragic loss for music in general I am a huge fan of the Stereophonics but must admit since Stuart Cable left I seemed to not be able to associate with the new band set up and watching them live as I did on many occasions he was as big a man in person as he was a vital part of Stereophonics distinctive sound. The most memorable occasion was the v festival in 2002 which he played the drums with no shoes on." - Justin Tarrant

"I only had the pleasure of meeting Stuart Cable once but it is one of my fondest memories. He took time to chat with me and tell me and my friend a couple of stories despite the fact it was about 1am and he was heading for the tour bus. He was a gentleman and a legend and his band inspired me to to what I do today. Such a sad day but I'm sure he's still causing a riot wherever he is!" - Glyn Jones

"I just wanted to say what a great drummer Stuart Cable was. He is the sole reason I became a drummer and he was the driving force behind the Stereophonics, something they have severely lacked since his departure. He will never be forgotten." - Andy Snape

"Sad day - great drummer, great man, he will be sorely missed by all." - Chris Jack

"R.I.P Stuart, you never changed and always had time for everyone. From giving my mam a lift in your catering van to just been good company when out. You will be missed by so many and a Sunday will never be the same to most who knew you. Take care and make sure you rock with best of them up there." - Sian Hobson

"Sad news I met Stuart at Scott Young's testimonial dinner. What a true gent, he will be greatly missed by myself and all fellow bluebirds R.I.P." - Craig

"I was lucky enough to meet Stuart soon after I moved to Wales seven years ago at the Michael Sobell centre in Aberdare. He was the most friendly and down to earth man you could ever meet. Somewhere my mum has a photo of me with him, so I was shocked and saddened to hear of his death. My thoughts, love and prayers go out to his family, friends and ex/new bandmates. He will be missed." - Kerry Shanks

"Well, what can I say? I'm absolutely gutted! Part of my teenage years has died. Back in the late 90s when the Stereophonics first appeared in the mainstream, they were something to be trifled with within the indie genre and at 14, I thought that was brilliant! Nowadays I've grown up and moved on from listening to the band but will never forget how much Stuart made me laugh, his warmness and utter love and passion for music. God bless ya Stu! Wherever you are, keep the neighbours up with your drumming!" - Joanna Edwards

"My first gig was seeing the boys at Newcastle Arena in 1999. My one lasting memory from that gig was Stuart giving 110% to the end of Too Many Sandwiches. I think it was from that point that I realised what rock n roll really was. RIP fella." - Chris Robson

"To me Stuart was the essence of the stereophonics in their prime. My favourite albums of all time were Word Gets Around and Performance And Cocktails. He seemed like such a friendly guy and I'd definitely rate him as a very talented drummer. When asked what bands were you brought up on I would always class the Phonics as one of the first to get mentioned in the list of bands. I am truly gutted that Wales has lost such a personality but no doubts he will live on forever through his family, friends and adoring fans. Much love to the Cable!" - Rachael Hawkins

"A very sad day my heart goes out to all his family and friends r.i.p Stuart." - Darren Mundy

"I am very shocked and saddened to hear of the sudden death of Stuart Cable. I saw him perform with his band Killing For Company (supporting The Alarm) just a few weeks ago in Reading, and thought he and his band were absolutely superb. He will be sorely missed. My condolences go out to his family and friends." - Robbie Grieve

"I remember meeting Stuart backstage. I recently recounted the experience to friends while we were at a phonics gig. My memory is still that he was instantly one of the funniest men I had ever met and still think so to this day. Great man will be sadly missed." - Wes Douglas

"Just heard the tragic news - cannot believe this. Stuart had so much to live for! Never met him but loved his radio persona, what he stood for, and just listening to him. He`ll be missed greatly, and his talents were a gift to us all." - Pete and Gez, Blackstorm

"My friend Nicola Williams had been messaging Stuart last week and the last message was sent to Stuart on Friday.Ìý Stuart had kindly said that he would donate signed drumsticks to auction at a charity event called Holly's Ball 2011 in the Millennium Stadium to raise autism awareness in Wales.Ìý Although we won't have the drumsticks, I just wanted you to know how wonderful and kind he was right to the end and we will always remember him as being special.Ìý We will also read out the message that he sent Nicola at the ball in April 2011." - Jo Salmon

"I only met Stuart once, in the Golden Harp in Aberdare. He treated me as someone he had known for years and was happy to enjoy a pint with me or anyone. A true Gent! He will be missed by all. RIP!" - Kyle Probert

"I am shocked and saddened by this tragic news. Stuart was a hugely popular figure in the local community and throughout Wales as a whole and people are understandably devastated by his untimely death. I met with Stuart at a number of events in Cynon Valley over the years and was also pleased to welcome him to the Assembly some years back. Obviously my heart goes out to his family and my thoughts are with them at this very sad time." - Chris Chapman AM, Cynon Valley

"I have never met a bigger advocate for new and live music in Wales than Stuart Cable. His enthusiasm for Welsh bands was second to none. He was a true gentlemen, always keen to share his experiences and never shied away from any questions. I can positively say that he's had a huge effect on anyone that had the pleasure of meeting him. A very sad day for Wales, losing a huge multi-talented personality. Our thoughts are with his closest friends and family." - Martin Goddard, Sierra Alpha

"Working with Stuart was some of the best times of my life. I still relay the ridiculous stories he used to tell and I am so sorry to hear he won't be able to grace the World with any more. I always walked away from a show he was on with a smile." - Elin Davies

"A true inspiration to myself in the way in which he rose from the small village life with his two best mates and became the biggest rock band in the world. Helped to make Stereophonics the band I love and he will be sorely missed. A truly great drummer and an amazing entertainer. Rest In Peace." - Mic Houghton

"When I heard the news I was stunned. He was so full of life, and on the verge of something major with his new band. Always smiling and laughing, and for me as a drummer, he was someone I admired. Having a laugh was just as important as playing the music. I love listening to early Stereophonics records, and they always looked as though they were having fun making the videos. Wales has lost another inspirational drummer. I'm off to DJ in Sardinia tomorrow, and I will play a song in his memory." - Mark Fellowes

"Deeply saddened by the sad news of Stuarts death. A sad loss to Welsh music and entertainment biz - quality drummer and all round good bloke - RIP." - Peter Williams

"Part of the phonics died when Cable left. A larger than life part has now sadly passed. Awesome drummer. Rip Cabes." - Stephen Thompson

"There are no words for me to express the sudden shock of Stuart's passing, I am literally gobsmacked. I grew up with Stuart in Aberdare and spent many a time in the Carpenters Arms with him, the Monsters Of Rock festivals we went on will go down in memory for many years to come. Spoke with him briefly in May when I was home, and he was the most down to earth, honestÌý and warm hearted person you would find; he kept his feet on the ground and was always a pleasure to be around. Rest in Peace mate, your beat will always go on in my heart and soul. A legend." - Steve Thomas

"Condolences to the cable family, Stu will be missed by many! RIP dude." - Sean Harrison

"Just wanted to add my sincere condolences to the family and friends of Stuart Cable at this dreadful time. Stuart was a genuinely nice bloke, and a true inspiration to his generation. He never lost touch with reality, and managed to avoid the seductive bright lights that have claimed the souls of so many." - Ioan Edwards

"I would just like to send my condolences to all of Stuarts friends and family, I had the honour of meeting Stuart in Aberdare at the bbc wales roadshow
he was such a lovely person and very kind my daughter had her photo taken with Stuart, and he did not mind one bit when people were going up to him
for this reason. He will be sadly missed by all." - Arianne Blease

"I was Stuart's PE teacher in my very first teaching job at Blaengwawr Comprehensive School in Aberdare in the early 80's. I remember him as a real character and great fun to teach - also a useful hooker in the school team! I got to know him again in recent years through my work at the Ö÷²¥´óÐã - you could not wish to meet a more generous and friendly person. He always seemed to have time for everyone and would always leave you smiling. I heard someone remark today that Stuart was the Ray Gravell of Welsh Music - I can't think of a finer tribute." - Phil Steele, Ö÷²¥´óÐã Wales SportÌý

"Stuart was my next door neighbour in Cwmaman for a few years in the early 90's when the 'Phonics were just making it big. Always fun to talk to and one of the nicest people you would wish to meet. He remained a normal local guy and didn't allow fame and fortune to change his approach to life one bit. He will be sadly missed and my sincere condolences go to his family and close friends" - Geoff Davies

"RIP Stuart. Didn't see you much lately however always had a laugh when we grew up, especially when I saw you in that in that yellow van! Always heard you before we saw you!" - Paul

"First my deepest thoughts to the family and friends of Stuart. I've been travelling for the past nine years but the weekend before I left Cardiff in 2002 I witnessed what I still think is the best concert I've seen in live company and believe me I've seen the best over the years. Stuart's input and performance on J.E.E.P. couldn't have been replicated by anyone else at the time and brought something else to the stage as a drummer too. I take that DVD wherever I go around the west side of the world and expose the music of a great set of chaps with world stage talent - always on occasions my friends have something positive to say about the 'drummer'. He has already been missed by the band the past few years, that concert will always live in my memory and can only thank for such great memories and bringing joy and giving vitality to folk like me around the world!" You'll never be forgotten, R.I.P." - Tim Green

"Stuart's passing was a tragic, and Stereophonics haven't been the same since he left. He is a legend and inspiration to music. Rest In Peace Stuart, you'll be missed." - Rob Fettah

"I toured with Stuart for two years whilst working with The Sterephonics. He was a lovely bloke and ever eager to amuse. I would have to spend the show trying not to catch his eye, otherwise he would start an endless attempt to make me laugh. He could walk into a room of strangers, anywhere in the world, and within 30 minutes people would be laughing and joking along to the sound of his deep welsh voice. A gentleman and an all round good bloke. I will miss him." - Jon Burton

"It is thanks to Stuart Cable playing up to the camera from behind his kit that I became a fan of the 'phonics as a 14 year old.Ìý 12 years later, that music has been the soundtrack to much of my life.Ìý What a truely great man, his influence and personality will be missed." - Ben Jackson

"Very few drummers are able to become a personality in their own right but to any Stereophonics fan, Stuart was just that, heÌý played the drums with such energy that you knew this was what he had always dreamt of. I have seen Stereophonics many times but my favourite was at a gig in Bristol, Stuart was the only one of the band members to come out to greet the queuing fans and sign autographs and talk to fans, he was the band's brightest personality. His presence has been missed in the Sterephonics for a long time but now his presence will be missed from the lives of everyone he ever met or inspired through his music. A very sad day." - Katie Ward

"Shocked and saddened to hear that such a wonderful musician has passed away. My thoughts are with his family and friends at this sad time. Wales has lost a true legend. R.I.P. Stuart" - Sian Kedward-Jones

"My dad met Stuart a few years ago when he was at the local television studios. My dad and him got talking and kindly Stuart did some jingles for our local hospital radio. We have lost a Welsh musical legend and he will sadly missed by so many. Such a tragic event. Rest in peace." - Gareth Hurford

"Just wanted to leave my condolences, to a top drummer. I saw the 'Phonics in Wolverhampton in 1997 and 1999 in Swansea at the Morfa Stadium. As a drummer myself I admired the fact that he looked like he was having fun and loving the fact he himself was in a rock band. Bartender and the Thief I think was his finest performance, though many will have their favourite track that he played on. I listened to a few of his shows on Kerrang and liked his style as a presenter. All in all he sounded like he came across, as a thoroughly nice bloke. Music has lost a character and I for one will be raising a pint in his honour. My condolences once again to those who knew him." - Sterling Burke

"I was lucky enough to work with Stuart both behind the scenes and with him performing as a one off with The Watchmen and when I sang on his Show Cable TV with Damon Hill and the ConRods. Cable never failed to make me smile. He was a man who made people happy just by being happy himself. If he was in the room, everybody knew about it just by the way he made the ground shake with his amazing voice let alone his drumming. Performing with Stu at the HardRock was one of the proudest moments of my life - I will never forget his sense of humour, love of life and unceasing generosity with his time. I know that he will be performing top of the bill in heaven tonight with Bon Scott - there will be thunder in the sky tonight, but this planet has lost a 'real' performer in every sense of the word. Stu, the memory of you hitting the drums harder than anyone I have ever worked with will stay with me forever. It will take us all a long time to come to terms with you not being around any more. For those about to rock. We salute you/" - Aubrey Parsons, The Watchmen / Ex-Conrods

"Stuart Cable. Always had a smile, and was always laughing, a great guy, who will be so missed in the valley. Regularly seen riding his motorbike through the town, or popping into the local pubs, and always had time for a chat. Thoughts go out to his family. Gonna miss you Stu, what a legend." - Brodie Jaye

"Just read the very sad news about Stuart. I brought a few acts for Stuart to interview for his show, in fact he only interviewed Thunder for me last week. When I brought in Sharon Corr last year to Ö÷²¥´óÐã Wales, Sharon was so taken by Stuart that she invited him over to Ireland to play on her new album, which he did. What a sad loss to music and radio, Stuart was such a warm and lovely, lovely guy. He will be missed." - Neil Cossar, Absolute PR

"One word, LEGEND.Ìý A very huge loss to the music industry, A massive loss to Wales. R.I.P. Stuart xxx." - Caroline Rees

"A sad day. Stuart was a solid foundation of the Stereophonics back in the day. He'll be missed but always remembered for simply being rock and roll. Rest in peace big man." - Ed Saxby

"I was very saddened when I heard about the death of Stuart Cable. The first two albums with the Stereophonics are among my favourite albums ever. Rest in peace, Stuart, and thanks for the music." - Ebbe Villadsen

"I'm very sad after hearing the news about Stuart. A great performer, the backbone of the 'phonics and the reason I, and i'm sure many others, started drumming. A sad loss, he will never be forgotten." - James Lund

"I am so sorry to hear about Stuart Cable's death and I feel for his family!" - Jeremy Anderton

"What a loss the music industry has lost today. Stuart was an amazing person, fantastic father and musican. I personally was fortunatue to have met him on several occassions, a sad day that will be remembered by all in Wales. My thoughts go out to Stuart and his loved ones, R.I.P." - Beth Lewis

"I've been a fan of the Stereophonics since they began and I'll always remember Stuart's smiling face, enthusiasm and energy. I was shocked and saddened to hear the news today. He was and always will be an inspiration to myself as a drummer, as I'm sure he is to many others. Rest in peace Stuart, you will be greatly missed." - Debbie Liggins

"Stuart's son shared a class with one of my daughters, so we met occasionally at school plays and such. He never seemed aloof or uncomfortable - people from the valley respected his privacy - but was just a mother's son and a father. Gifted, and occasionally appearing troubled, but an amazingly warm and gifted man. Our family are devastated, and our sympathies go out to his family." - Dr. Mike Reddy

"I'm heartbroken. I shall always remember him driving me on the back of his three wheel motorbike, down to Bath at break-neck speed and roaring with laughter! What a lovely bloke and my condolences to his family. RIP Stuart xx." - Sheelagh Jones
Ìý
"The 'Phonics were the first band I followed religiously growing up at secondary school. Stuart Cable was a terrific drummer and seemed a genuinly nice, down to earth bloke. Sad news. RIP Stuart x." - Richard Kemp

"Goodbye Stuart. Thanks for the music. Because of it you will never be forgotten." - Gary Carey

"One of the best RIP." - Gordon Reid

"Stuart Cable was a helluva nice chap. In fact, he once did a tribute show for the 25th anniversary of Bon Scott's passing at my request. Afterwards, he and his very courteous assistant sent me his autograph and some great CD's from The Stereophonics, too. I'm truly saddened to hear of his loss. R.I.P. Stuart." - Jon Talisman

"One of the first bands that made me love music were Stereophonics, and the best music they made was with Stuart Cable on drums. I only wish I got to see them whilst Stuart was still in the band. RIP Stuart, you are the best drummer of our time." - Tamsin Porter

"I'm really sorry to hear about Stuart Cable. He was a wonderful man, I saw him perform with The Stereophonics in Toronto and London, Ontario years ago. I live in Michigan. We met him also and he posed both with my young daughter and many fans of the band. The Northern American Stereophonics fans' heart goes out to Stuart Cable and his family." - Cindy Gomez

"Rest in piece Stuart Cable, what a guy. It was an honour to meet you a couple of years ago in Birmingham, such a kind man. I've had to rattle through the Stereophonics back catalogue in honour today, and wear my t-shirt.Ìý All in pride and respect. Condolences go out to family, friends and the band and everyone associated. Such a shame to lose such a talent musician. Your autograph has sat on my bedroom wall since that day in Birmingham. Thank you, and rest in piece." - Jack Fowles

"I saw the Stereophonics at Leeds Town and Country Bar on their Performance and Cocktails tour. Word Gets Around is still one of my top three albums of all time and shaped me as a teenager. Stuart Cable was the focal point of the band in my eyes. His energy and showmanship were electric and his performance when I saw him has stayed with me as I had never seen a drummer lead a band in such a way. My thoughts and wishes go out to his family and son." - Paul Jibson

"What can I say that has not already been said? Stuart and I met in 2003 when I was still living in Wales, and what a meeting it was! I was out shopping with my two eldest daughters at the time (who were aged three & four) and I accidently ran into the back of Stuart's ankles. I have never said sorry so much in my life to one person, then it clicked who he was. We had a chat and he was pulling faces at my kids and making them laugh. I met up with him a few times after. He was a bubbly, kind and considerate guy who was constantly happy each time I saw him. He will most definatly be sadly missed, and my condolences go out to his family and friends. R.I.P friend." - Miki Gabrielli-Murphy

"Rest in Peace Stuart - Wales and music has lost its biggest star. I'm completely heartbroken and life will never be the same again without him." - Vicki Newton

"I met Stuart through being a involved with Aberaman Motorcycle club and the races at Aberdare Park and Stuart always attended the races at the park when he could. He will be sadly missed by all for being an honest Welshman who loved life, music and motorbikes." - Aled Lloyd

"What a great drummer, personality/presenter and (previous) member of one of the greatest rock n' roll bands. Sadly missed." - Alun Hamer

"I only met Stuart through Facebook, but he always took the time to answer any messages I sent him. He was a lovely, kind and down to earth guy. I'm extremely saddened by the news. Such a great loss." - Jacquie Wood

"I can't believe the news today, oh boy... the voice of Lennon in my head singing those words as I sit down and look at the sad fact that Stuart will no longer be doing what he does best, playing and talking about great rock music. Wales is a colder place to be today. He was an amazing drummer, a great chap and a Welsh Music Legend." - JJ Haggar

"Shocking; can't belive it, deepest sympathies go to Stuart's family and friends. There's only one Stuart and my eyes one drummer. Morfa Stadium - you were rocking, and you put the rock in Stereophonics." - Vincent Chapman

"I knew Stuart Cable through my sister Jo Godfrey at kerrang radio.what a lovely guy he was, I'm really gutted by his death,such a tragedy, he was an inspiration!" - Steve Godfrey

"Such an inspiration to me and countless others, you will never be forgotten. Rest In Peace Stu." - Gavin Davies

"Another great loss to the welsh music industry RIP." - Kim Parker

"I Just wanted to say that Stuart Cable had touched my life and will always be remembered! I'm a Stereophonics Fan in Sydney Australia and had the pleasure of meeting him back stage at one of his shows. He was so cheeky and lots of fun that he made everyone around him smile and that's how I have always thought of him and always will!" - Melanie Derome

"Extremely sad day. And night. And many more to come. I'll miss seeing this fella's face and his wit, his skill behind a kit, his humour and his all round good deeds. Stuart Cable was one of the good guys. Rest in peace, fella. We will be thinking of you." - R

"Stuart you were the only DJ me and my wife Brenda listened to every week without fail on the internet. You'll be missed by us. RIP lad." - Brenda and Trevor

"My sincerest condolences to the family and friends of Mr Cable. He was talented, popular, hugely charismatic and whenever I saw him out in Cardiff, he was always smiling and had others laughing with him. Local Boy in the Photograph will be a hard song to listen to from now on. R.I.P. Stuart x" - Matthew Davies

"RIP Stuart, you were brilliant entertainment on stage x." - Clare Johnson

"I worked with Stuart during his time at Kerrang Radio, I know he'll always be remembered as the drummer for the 'Phonics, but as a guy who could communicate his passion for music on the airwaves, he was second to none. You will see it many times, he was larger than life and one of the genuine good guys. I will miss his loudness and his laughter. Our thoughts are for his family." - Gordon Davidson

"I met him three times, once with my wife, once with my son and once on my own. He always had time for you, never said I'm too busy. He was an excellent drummer, a huge personality, and a great Welshman. No one can fill the gap he has left behind. I was listening to him on Saturday night. I still can't believe he has gone. He loved rock and rock loved him. My thoughts go out to his family and friends. RIP Stuart, The Local Boy In The Photograph." Richard, Steph and Spender Lewis

"I got a call from my wife at 10am to say she was shocked but had heard that Stuart had died. We both knew Stuart from the Stereophonics days. I couldn't believe it. Less than two months ago we supported his band Killing For Company in Reading at what was our first proper gig. We had a great time and he was so professional. The soundcheck over-ran, massively. Stuart made no issues of it and offered to share his kit with our drummer. A true gentleman, no ego just total professionalism. It was great for me to catch up finally with him. We'd spoken via email when he started KFC a few years earlier and I was living in the States. When we finally caught up, I hadn't seen him for nine years. We'd first met each other on the UK and European leg of the Performance And Cocktails tour. I was traveling with the support band The Crocketts and had just picked up glandular fever. I would do the Crocketts gig, then crash out in my bunk on the tourbus for the first several nights. When I got my strength back, I went out with the lads, especially on our days off in Strasbourg and Amsterdam. I immediately warmed to Stuart, the life and soul of the party, but also just a genuine fella. It was hilarious hearing the banter between him and his drum tech Swampy who he used to call 'Fatty'. I remember the night Swampy got too close to Stuart while he was playing in Gronnigen. Stuart cracked him on the back with a drum stick like hitting a cymbal. We both played in a band, (formed from many musicians), at the wedding for the Stereophonics' bassist Richard Jones. It is such a shame he's gone as his band was really good and I believe destined for much bigger things. I'll miss him but am very honored to have shared the stage with him. RIP Stu." - Boz

"I have not seen him play with Stereophonics but having heard him talking on the radio I was entranced by his wonderful voice and mellow well rounded Welsh accent. He would have made a brilliant embassador for Wales on the radio just by his voice alone." - Bella

"On Monday I had the radio on in the background, then my ears pricked up when I heard the words 'breaking news' - after which the sad news about Stuart was announced. I was in total shock. The news didn't really hit me until I went on to Stereophonics official website last night and saw the lovely picture of Stuart that the boys had put on there as a tribute to him. I can remember the faces he used pull at the camera if it caught him - the big wide eyes and silly grin. It would make me laugh. I am a fan of Stereophonics and was sad when he left, It's good that he got the chance to use his talents as a drummer in other bands. I never got the chance to see him perform live but have video clips of the Stereos when Stuart was with them. He will be missed by all his fans and the people who knew and loved him. All my love to his family and friends." - Chloe Wright

"It is so sad to hear about the loss of Stuart. His music was the soundtrack to my teens, and in 1999 the Stereophonics were the first band I ever went to see; it will forever be my most memorable gig. I can vividly recall how full of energy he was, and his enthusiasm and personality was infectious. I only had the pleasure of meeting him once when he popped into a sports shop I was working in to buy a golf club. I got to serve him, and although I was probably a star-struck teenage wreck, he remained the perfect gentleman. Friendly, polite and down to earth. He will be sorely missed, RIP Stuart x." - Natalie McLaren

"Had the pleasure of meeting you a few times Stuart. Rest In peace mate. You will be sadly missed." - Rhys Pearce

"I was shocked to hear the sad news that Stuart Cable had died in the early hours of yesterday morning. As a Stereophonics fan since 1997 and having met Stuart at several gigs it's extremely sad to hear of his untimely death. He always gave time to meet with fans and have a chat.As I write this I can hear Stereophonics play on the radio and it brings joy to hear them and reminds me of an exciting time in UK rock. Let's raise a glass to Stuart as one of the last big timers and I bet he will be no doubt be trying to arrange a jam session with John Bonham and Keith Moon as we speak." - Richard Houghton

"I saw Stuart Cable perform at the Eisteddfod in Swansea 2006. He was there as a guest of Dewi 'Pws' Morris and met with a huge cheer of audience approval. This was well before he paired up again with Dewi Pws to do the Big Welsh Challenge. And what a double act they were! That evening was typical of Stuart - to be so giving of his time and blend in without taking the limelight. His warm, sunny personality (and big hair) will sorely be missed. There is a huge gap left in Wales which will be difficult to fill. Broadcasting and music has lost a lively and entertaining person. My thoughts go out to his family and friends and the community of Cwmaman. I am shocked by his untimely death." - T Jones

"Really cant believe it RIP Stuart what a legend you will be missed x." - Louise Jones

"I'm so, so very sad to hear of the sad loss of Stuart Cable. Whenever I heared Stuart on Kerrang radio that booming Welsh voice would take me back to the best summers I spent in south Wales. Sleep well Stuart." - Anna Mason

"The last time I spoke to Stuart was at a Motorhead gig in Cardiff - he always had time to have a chat and was one of the most upbeat characters I've met. As has been said already - a wonderful, larger than life bloke that will be sorely missed. A truly great friend. Our best wishes to his family and friends." - Mike Markey and Nick Jones

"Shocking news about Stuart's sudden death at far too young an age. I met the 'Phonics backstage a few years ago when they played here in Vancouver and they were just regular Valleys lads made good. Hard to believe you left us so soon Stuart. Thanks for all the memories. RIP." - Brian Jones

"Just wanted to say how sad a day for Wales this is. Stuart Cable stuck to his roots even though he'd achieved his dreams and probably had the chance to leave us behind as so much of our talent does, so hats off for that. Stereophonics was the first big gig I saw and was an inspiration for me to stick at guitar and form my own band which, years later, Stuart judged as part of a Ö÷²¥´óÐã competition in Carmarthen. It's great to meet someone you look up to and even better to find out that they're down to earth. My heart goes out to his family and friends and I hope these messages will show how well respected and loved he was." - Gareth Ziggy

"I just want to leave a short tribute to Stuart Cable, an amazing drummer and all round nice guy. I was only 12 when I first began listening to the 'Phonics, mainly from the influence of my dad. When I started to get into them, I joined the stereophonics chat room and message board on their website, and met some great friends who I am still in touch with and see to this day. The Stereophonics compelled me to listen to all types of rock and indie music, and become as passionate about it as I am today. I went to my first gig with friends I had met through their chat room, and my second gig ever was seeing the boys. I'll always remember spying them through a window that day at LCCC, running up to them and waving frantically almost like I was participating in Beatles mania! Without the Stereophonics and their music, I wouldn't be the person I am today and they have influenced my life to no end. They were never the same without Stuart, I was devastated when he left the band and I'm devastated to hear this news. R.I.P legend, I wish I could have met you." - Faye Cruickshank


"I had the good fortune to swing the lantern with Stuart on a few occasions. Wales and the world has lost a genuine character. The light that shines twice as bright burns half as long, and Stuart shone very, very brightly. RIP Stuart, bust some sticks with Bonzo and Mooney in rock'n'roll heaven." - Dave

This week's show sees me off up the A55 again, drawn back to Bangor only a fortnight after I'd been yo yo-ing up and down that tract of road during Yr Wythnos Fach and the Big Weekend. It was worth the journey, for I was on a pilgrimage to meet The Keys. Their second album, 'Fire Inside', has just been released on See Monkey Do Monkey Records. It's an album that has attained an almost mythic status amongst observers of Welsh music.

Those rumours emanated from the lucky few who had heard various demos the band recorded since their eponymous debut came out on Too Pure in 2004. But the myth around The Keys stretches back even further than that, to the sense of expectation that surrounded their antecedents Murry The Hump. This mini album fully realises and satiates those expectations. It's a an album powered by a love of West Coast psychedelia; the primal, sexual force of rock 'n' roll, and a peerless ability to hang a laconic lyric over a heartbreaking melody. I love it, I do. Can you tell?

Coincidentally, The Keys were in Bangor to perform an in-store at Cob Records and one of the shop's most excellent and authoritative staff, Alan Holmes - co founder of Fflaps and Ectogram - begins a regular slot on the show exploring inspirational music from North Wales' frequently overlooked musical past. This week, Alan talks about Lustmord: "the most influential musician, in my opinion, to come out of North Wales."

Lara Catrin translates Alun Tan Lan's sublime 'Heulwen Haf'.

A man called Ben drops in with The Hot Chocolate.

And I have a selection of the most fascinating new Welsh music that has crossed my path in the last week, including debut plays for tracks from Hyener, The Bright Young People, Serotone, Lungwah, Kyshera and Saturday's Kids.

** please send your demos as high quality .mp3's to: themysterytour@gmail.com or, post to: Adam Walton, Ö÷²¥´óÐã Radio Wales, Library & Arts Centre, Rhosddu Rd., WREXHAM LL11 1AU - together with a short biography and a contact number.

Thank you / diolch yn fawr iawn,

Adam

Distraction

Fire Inside [album Version]

Slowing Down

Good Time Girl

All That We Keep [calida Remix]

People Meet People

Murderwrecker

Head Or The Heart

One Spliff

Bank Of Montreal

Alien Romeo

Blood [album Version]

Valley Son

Ffyrdd Gwyrdd

Massey Ferguson [comp Version]

Dirty Dream

We Went Riding

Sad Sad Feet

Skellington Horse

Case Closed [radio edit]

Time To Pretend

If

Erode

Heulwen Haf

The Eyes Of The World

Flump

THE HOT CHOCOLATE BAND
Give Peace A Chance

RADIO LUXEMBOURG
Lisa, Magic A Porfa

Tonight will see viewers and listeners across Wales get the chance to singalong to Sir Tom Jones' Delilah; a video has been recorded of people across the length and breadth of the country delivering a line each. It will be broadcast simultaneously on Ö÷²¥´óÐã 1 Wales and Ö÷²¥´óÐã Radio Wales.

The special version, recorded as a gift on the occasion of the star's 70th birthday, features schoolchildren, butchers, firemen, lifeboat crew, mechanics and cheese factory workers among others.

You can join in at 6.55pm.

Today is Sir Tom Jones' 70th birthday and we're celebrating in style on Ö÷²¥´óÐã Wales.

Radio Wales is devoting the whole day to the life and work of Tom Jones, and here's the list of what you can expect:

9am - Jamie and Louise kick off the celebrations in style, welcoming Welsh band to the studio to play their favourite Tom songs live. Jamie and Louise will also be asking you to nominate Tom Jones records to play during the show. They'll be hearing from friends, fans and associates of Tom who'll help to tell his amazing story, especially the early days, from recording the demo of It's Not Unusual to meeting Elvis in Vegas and talking to a man who knows a man who reckons Tom still owes him a pint!

Midday - The Phone-In with Jason Mohammad wants your opinion on whether Tom is still a sexbomb at 70 and asking if he still has 'The Voice'.

2pm - Roy Noble will be putting his party hat on as Welsh band perform some Tom numbers live in studio! Roy's chatting to Tom's number one fan, Ann Hughes in Nefin, whose house is a shrine to the Welsh legend. And there's a chance to relive some seminal moments in Tom's past as Roy delves into the Ö÷²¥´óÐã archive.

6.30pm - The Evening Show continues the celebrations with Al Thompson and Mal Pope, with special guests Stuart Cable and Steve Balsamo reminiscing about the great man. Mal and Steve will be playing tribute to Sir Tom with an acoustic version of A Boy From Nowhere, Welsh band will be giving Tom's track Kiss their special rock treatment and Al and Mal will be encouraging the whole nation to sing-along to Delilah just before 7pm.

10pm - Chris Needs welcomes you to the Friendly Garden. If you want to hear a Tom Jones track, give Chris a call from 10pm and he'll do his best to play it on air.

We'll be blogging throughout the day, streaming some highlights so you won't miss a thing.

Feel free to comment! If you want to have your say, on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

Need some assistance? , or get some .

Tomorrow sees Stereophonics play the first gig at the Cardiff City Stadium tomorrow, supported by Kids In Glass Houses.

Fourteen years since the release of their debut album, Word Gets Around, they're one of the UK's most perennially successful rock bands, with millions of records sold and the majority of their albums reaching number one in the UK charts.

Their appeal is . They are criticised for what some see as their 'dad-rock' approach to plodding rhythms and basic melodies. Their lyrics are lambasted and their unreconstructed worship of old-school stadium rockers is mocked. Heck, check out the leathers.

But none of this matters a jot to the 30,000 people who'll be packing out the stadium, nor the millions of people who carry on buying their records. Keep Calm And Carry On is the title of their latest album and that's what they've been doing for over a decade.

By not caring about changing fashions or, in the main, the nuances of critical opinion (best forget though) Stereophonics simply keep knocking out songs which work.

Songs which work - they get the commercial stations listened to by millions; they connect with people like to shout choruses; they have melodies which lie like mac-wearing weirdos in hedges, ready to jump out and expose themselves at a moment's notice; and they sell albums and tickets.

So tomorrow night as I sit in my garden, barbecuing a banana (very nice, I recommend it) and avoiding marches, I'll be able to hear the sound of a mass bellow to Have A Nice Day, Dakota, Pick A Part That's New, The Bartender And The Thief, Maybe Tomorrow and a dozen other chart-bothering tunes.

What do you think? If you want to comment on this or any other Ö÷²¥´óÐã blog, you will need to sign in to your Ö÷²¥´óÐã iD account. If you don't have a Ö÷²¥´óÐã iD account, you can - it'll allow you to contribute to a range of Ö÷²¥´óÐã sites and services using a single login.

Need some assistance? , or get some .

Following on from part one of the Yr Wythnos Fach 2010 round-up...

The next night was a slew of events scattered around Bangor. Things didn't start off well. I was desperate keen to see Crash Disco at Hendre Hall. The running order I had said he'd be on at 7:30pm. But he wasn't. Someone from Chris Moyles' team had to rehearse a comedy cover version they were going to perform that night. It meant that other soundchecks got pushed back.

It meant that Yr Angen had to kick proceedings off with a soundcheck that rolled immediately into their set. They sounded OK. It's difficult to tell what kind of delights might be contained therein when the guitars go so resolutely out of tune after the first song. Radio 1 funded this whole affair, and their presenters must have some leeway in how they best want to make the most of an event. Chris Moyles' show had been talking about Bangor all week. It was great PR. My missing Crash Disco was a small price to pay.

So I watched a bit of Yr Angen but had to leave to get into town. I was desperate to catch Tokin4wa. Carwyn - formerly bass played in Genod Droog - now devotes his time to making liquid electronic music that could suspend whole cities full of wonder above oceans of dreamlike bliss. Or something like that.

We parked in Lower Bangor. A mistake. The Tokin4wa gig was in Upper Bangor. There is a reason Upper Bangor is called Upper Bangor and Lower Bangor, Lower Bangor. That reason comes in the shape of a steep hill Franz Klammer would baulk at. My friend and I fair near jogged up it to try and get to the Greek Taverna in time. But our efforts - and my very sweaty face - were all in vain. We missed them. Didn't even catch a note.

We did get to see Pen-Ta-Gram who - powered along by Mr Phormula's ebullience and rhyming dextrousness - were excellent. Sun Is Shinin' became the anthem of the week. The millions of people sardined into Greeks had smiles on their faces that would have stretched across the Menai Straits, despite the fact that none of us could get to the bar.

Next stop was back to Hendre Hall. My friend books the fringe events for Leicester's Summer Sundae Festival. I'm determined he gets to see some bands that he might like enough to book. I've been boring him about Race Horses for months, convinced that they'd be perfect for him. And so it proves. Race Horses are in magnificent form in front of a filled-to-the-beamed-ceiling Hendre Hall. Attendance everywhere is excellent, by the way. A real demonstration of the pulling power of live music.

We hang around in Hendre Hall a bit so that I can nervously introduce Sibrydion in my faltering Welsh. I might have apologised for speaking "cake Welsh" when, in reality, I meant something entirely different. Sibrydion sound great. They specialise in hooks and tunes that never breach convention but are invariably memorable and perfect for daytime airwaves. I can hear why 6Music and Radio 2 got so enamoured with their last album, Campfire Classics. Sibrydion shouldn't be taken for granted.

Having said that, we're off back into Bangor for the final couple of bands in Rascals. I'm determined my festival organising mate should catch a bit of Masters in France. We get to Rascals to find a queue stretching up the street outside the venue.

Fortunately Claire - Radio 1's brains behind Yr Wythnos Fach - spots us and drags us upstairs past the queue, heads down and a little embarrassed, and into the venue. We can't move. Getting to the bar is a question of hoping that plate tectonics are working in your favour. Fortunately they do and once we get a pint and I find a chair to stand on, we're watching Masters In France make the crowd lose their inhibitions and nod themselves into some kind of neck damage. It's very exciting, but I'm five pints in, now, and a goldfish bowl would probably thrill me.

Masters In France are very good, though. Their song Greyhound induces some kind of frenzy. It feels momentous.

I get pushed to the front to introduce Gallops. My introduction skills haven't got any better despite all the practice I've been getting. Gallops do what they do with great power and imagination. Due to the limitations of the sound system, the nuances are lost... they're not quite as amazing as they were in Wrexham three nights previously. But they keep the crowd moving until the small hours.

I missed so much that night. In particular Yucatan and Y Niwl, but the whole week was one of the finest musical experiences of my life. The highlight? Bastions. Definitely.

Just a quick paragraph about The Big Weekend itself. I missed the Saturday due to overwhelming knackeredness. I don't know how many miles I drove back and forth from Bangor that week. It was a lot. I also did my usual DJ gig until 2am on the Friday night / Saturday morning. I missed Joy Formidable on the Saturday, which I was gutted about.

Despite the best efforts of a truculent A55, I did manage to get to the site on the Sunday afternoon, just in time to introduce Pete Lawrie (who was ace).

But it was Yr Wythnos Fach that meant the most to me. The doors have been thrown open for bands from North Wales. Even if you didn't play, get your tracks onto the Ö÷²¥´óÐã Introducing uploader and to all those Radio 1 and Introducing DJ's who were bewitched by Bangor and its people.

Make the most of the positive associations. Give this event an enduring legacy beyond the bands who actually played and the punters who were lucky enough to see them.

The Big Weekend and it's runway fringe festival, Yr Wythnos Fach, rather crashed over me like a massive wave of music, long nights and many hours on the A55, which is why the blogs dried up after day two. So, for the sake of completion, here's a quick leg through* the highlights of the missing days now that sleep patterns have returned and the tinnitus subsided.

We last saw our 'hero' (that's me - cue World Record attempt at suspension of disbelief) reeling from Bastions' seismic and evangelical set at Speakers Corner. I was still quivering the next night when I arrived at Morgan Lloyd in Caernarfon.

This was the most varied bill of the week: tuneful emotive rock (I can't bring myself to label any band 'emo' in 2010) courtesy of Through Colour (below), leading to Mr Huw's quirky, tune-encrusted treasure trove, via Bandana's Beatles-in-Hamburg beat explosions and Tim And Sam's Tim And The Sam Band With Tim And Sam flooring jaws like folkish horse whisperers, except the happy victims were of the breed indie kid sapien and not equine.

Morgan Lloyd is the Northern epicentre of Welsh music sung in Welsh. It's a great, intimate venue. By the time Mr Huw blew playground singalong melodies of death and obsession around the venue there was an excellent audience of bobbing heads and appreciative faces.

It's a shame that all the latecomers didn't get to chance upon the beguiling charms of the Tim And Sam band. If you want them described in terms of obvious, reductionist musical reference points, they're Sigur Ros as played by Belle and Sebastian. They were excellent, self-deprecating and incredibly funny. Preceding a song that features a xylophone by saying, "we're going to rock out, now", is my kind of humour.

They left Caernarfon to drive up to Aberdeen. ABERDEEN. They're probably still on their way.

Bandana were a real and pleasant surprise. The Cuban heeled boots of their Brian Jones-alike singer and guitarist were a clue to their early '60s influences. But the songs rang clear of pastiche and plagiarism. Until the Wombats cover, but we can put that down to youthful over exuberance. Damn good, though.

The guitar-driven, indie rock song survives through successive generations because bands like Bandana pick 'em up and imbue the form with belief and energy, if not any real originality. People who like the Beatles, the Stones, (early) Kings of Leon, the Strokes, Creedence Clearwater Revival and the Arctic Monkeys are going to find a lot to like in Bandana. Those of us who might sneer at a lack of anything truly fresh can pat ourselves on our joyless backs as their bandwagon drives off into the sunset, the sound of an excellent party diminishing over the horizon.

So, that was Caernarfon.

*"a quick leg through..." ha ha! Sorry. Here's part two.

Manic Street Preachers have announced the title of their 10th studio album and details of a UK tour.

Postcards From A Young Man will be released in September this year, as the follow-up to Journal For Plague Lovers.

A press release from the band's PR company Hall Or Nothing describes the recordings as "a return to the classic rock roots of Send Away The Tigers and the arena sized choruses of Everything Must Go. The band is currently adding finishing touches to the record with producer Dave Eringa at their Cardiff studio. Mixing will take place later this month with Chris Lord Alge in America."

In an interview with NME, Manics frontman James Dean Bradfield said: "We're going for big radio hits on this one. It isn't a follow-up to Journal For Plague Lovers. It's one last shot at mass communication."

The band has announced the following live dates, with support from British Sea Power:

• 29 September - Glasgow, O2 Academy
• 30 September - Aberdeen, Music Hall
• 2 October - Edinburgh, Corn Exchange
• 3 October - Carlisle, Sands Centre
• 5 October - Hull, City Hall
• 6 October - Sheffield, O2 Academy
• 8 October - Liverpool, University
• 9 October - Blackburn, King George's Hall
• 11 October - Leeds, O2 Academy
• 12 October - Derby, Assembly Rooms
• 14 October - Manchester, Apollo
• 16 October - Lincoln, Engine Shed
• 17 October - Norwich, UEA
• 19 October - Southampton, Guildhall
• 20 October - Southend, Cliffs Pavilion
• 22 October - Bournemouth, O2 Academy
• 23 October - Newport, Centre
• 25 October - Bristol, Colston Hall
• 26 October - Birmingham, O2 Academy
• 28 October - London, O2 Academy Brixton
• 29 October - London, O2 Academy Brixton
• 31 October - Leicester, De Montfort Hall
• 1 November - Cambridge, Corn Exchange

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Manic Street Preachers Nicky Wire and James Dean Bradfield have contributed their skills to the new EP by former frontman Wayne Murray, now recording under the name .

Picture © Justin Paget

No Comfort For Your Skin features guitar from Bradfield and lyrics from Wire.

""Being dropped [from BMG as Thirteen.13] played a big role in what happened to me, so when James Dean Bradfield offered me the chance to play guitar in his solo touring band I was understandably nervous," says Murray.

"But blisters on fingers of practice later, I was on tour and my confidence was restored. Later the same year, I was asked to play guitar with the Manic Street Preachers at the Xfm 'Winter Wonderland' show. I'm convinced the call-up came about after I inadvertently wore a ladies' tennis top to a live radio session with James for Janice Long, James told Nicky Wire on the phone and Nicky thought it was brilliant."

"During the rehearsals for Journal For Plague Lovers, Nicky Wire heard a rough live demo of the then-untitled No Comfort From Your Skin.

"Months later, Nicky presented me with a beautifully presented hand-written lyric sheet. It was mounted on pink card and had a picture of walking arm-in-arm with on the back. These were the lyrics that became No Comfort... And I can't begin to tell you how much that meant to me."

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Concrete and steel constructs frame the blue sea and bright skies like modern art sculptures. Welcome to Spain's festival by the sea, Primavera Sound. A festival in Barcelona, a sister festival to the UK's All Tomorrows Parties.

Having travelled to Barcelona last year for Sonic Youth and Neil Young, it was pretty essential that a festival bill including Pixies, Pavement, Grizzly Bear, Yeasayer, The xx and Coco Rosie would be on my year's itinery. It was Primavera 2010, here we come!

Thursday Night: , , and were the first few bands I saw on the Pitchfork stage, a perfect billing of the new sounds of USA indie rock, very much the sound of the year so far. It was a good mellow start to the weekend, followed by the vocal pitch surfing and amazing songs of .

Over on the big stage nestled quietly with the sea behind it put on a magical display of sparse songs, drenched in echoing effects, reverb and simple clean girl/boy vocals. Their light show was magnificent dramatic, dark and brooding and really stole the evening for me.

Friday Night: Early evening started with some summery indie pop on the Pitchfork stage A swiftly followed by the retro surfesque duo , and West Coast slackers (below). Over on a larger stage were putting on a rather surprising display of theatrics, operatics, quirky instruments, and joyus strangeness.

At eleven in the evening its time for a pick me up with who are a ball of furious noise and crazy antics musical gymnastics with just two in their army! Pixies on the main stage gave way to 's world fusion prog dance fun, and the night became morning with a live scary pummelling set from dance band .

Saturday: At tea time I'm watching the warm sounds of Real Estate, who I reckon are just going to charm at every festival from here on in. Then it's a quick bite of a falafel wrap to some retro garage rock from , followed by a surprise appearance from cult singer songwriter and comic book illustrator Jeffrey Lewis under the guise of The Bundles (below). I catch a little of an excellent and rawkus set from Spain's own . Then its back to the main stage for an ebullient and celebratory performance from Florence And The Machine.

A little jogging around meant that I caught some of The Antlers, Grizzly Bear, The Drums (below), but eventually settled for a nostalgia playing of Some Friendly by the Charlatans. Pet Shop Boys were big, pop, colourful and fun but I snuck out to catch a moment from legend Lee Scratch Perry and ended the night with a taste of Health but a dance with the excellent Orbital.

Sunday: Joan Miró park in University heartland of Barcelona. Sunday afternoon was an unexpected surprise and treat, a free post-festival event which opened with Spanish band Mc Enroe. However, , a riot of rock and roll attitude, stupid stage get up, a tirade of abuse on the poor sound guy, and frequent visits from King Khan himself into the audience took the quiet park by surprise. Generic, stupid, fun and 'crazy' but ultimately totally engaging and enthralling all the same and the lively Spanish crowd lap it up.

Next up on the small open platform are Real Estate whose beautiful guitar sounds and longing and lovely sunshine drenched songs are a perfect afternoon park experience.

They were followed by Smith & Westerns and the Dum Dum girls on a stage surrounded thickly on all sides by the crowd, to the point where you could hardly hear them. And so a little gathering in a clearing of palm trees becomes a perfect end to the weekend in Barcelona.

This week's show is mostly a celebration of uneasy listening. Our first track is a remarkable piece from 's new album Spades & Hoes & Plows. If only our Eurovision entry had been A Radical Song the outcome wouldn't have been any different, and we'd have probably got kicked out of the EU, but it would have been worth it to see the despair on all those happy, flaggy faces for the song's 10 minute duration.

It's a fascinating interpretation of a 19th century folk song that revels in the defiance and pain of the source material, rather than glossing over it with finger-in-the-ear 'la di da' harmonies and faux folkish earnestness. Frankly it's terrifying. It reminds you that there is a history of yawing inequalities behind us and, no doubt, stretching long into the future.

It also underlined to me that there is a dearth of radical music out there; certainly with regards to the music I receive. If you can disprove that generalisation, PLEASE DO SO. The e-mail address for music submissions is themysterytour@gmail.com. Be horrible, be confrontational, but please don't swear. :-D

And I ended that sentence with a . What a fraud.

On the surface, 's debut album, Under Cambrian Sky, is an easy listen. Its heart-rending piano, bruised sky melodies and layered atmospherics sound like somewhere you could rest your head. But there's a ceaseless movement, a hum in the background that pervades the whole with something unsettling, restless and captivating.

The album was founded on field recordings collected in a number of beautiful locations around Aberystwyth. So, rather than corralling Tim and Paul in a box of a Ö÷²¥´óÐã studio I asked them to ask me to visit some of the locations that inspired their music so that I could share the inspiration, and the music, with you. It was a day of breathtaking scenery and widescreen enlightenment. I hope you're as fascinated by the results as I was.

Wrexham's played the first of the Yr Wythnos Fach fringe gigs for Radio 1's Big Weekend at Central Station in Wrexham. Twelve minutes of their set of mini epics glistens in the latter half of the programme. And oxymoronic as it sounds, they are 'mini epics'. Check the set out and you'll know what I mean. Maybe.

Huw Pooh breaks off from Pooh Sticks' rehearsals to remind us of the short, sharp, punkish glory of The Tunnel Runners.

Lara Catrin translates 's Organ Aur Huw. And Ben Hayes inspires us with a curiosity featuring the recently deceased - and much missed - .

Then there are the new Welsh tunes, a grab bag of the most interesting music that has come my way in the past week. I hope you enjoy them.

Please send demos / releases to: themysterytour@gmail.com (with a short biog and a contact number, please.) Any gig info / announcements / general correspondence can go to the same address, please.

Right, it's my birthday (had I mentioned that?) and I have a book token to spend and a second hand record shop to find / raid.

See you next Sunday!

Tracklisting:

DAVID WRENCH / BLACK SHEEP
A Radical Song

KLAUS KINSKI
Skellington Horse

THE SCHOOL
All I Wanna Do

KATELL KEINEG
At The Mermaid Parade

SPENCER MCGARRY SEASON
Great Enemies

VS PHANTON [PRESENCE]
Great Enemies [dressing Metal Mickey As Lee Perry Stereo Mix]

THE TUNNEL RUNNERS
Colours

TARA BUSCH
Climb On O Pilot


Small Cities

THE LOWLAND HUNDRED
Anemone


Blodau

STRAIGHT LINES
Loose Change


Live From Central Station Wrexham

THE LOWLAND HUNDRED
Allt-glais


Caesura

ALUN TAN LAN
Oni Byth

EITHA TAL FFRANCO
Organ Aur Huw

CRASH DISCO
Gtfo
https://myspace.com/crashdiscomusic

ATTACK! ATTACK!
You And Me

ROGER GLOVER AND GUESTS
Love Is All

SATURDAY'S KIDS
No Scream From Him

THE LOWLAND HUNDRED
The Air Loom