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24 September 2014
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The Music Centre at White City - site history


The site has a history of large-scale development. In 1908 the White City site was developed for the Franco-English exhibition where the name White City originated.


These buildings were subsequently used for other international expositions. The site hosted the 1908 Olympic Games and later the stadium was used as a dog racing and athletics venue up until the 1980s.


Now the wider area is shared with the residents of the adjacent White City Estate and the Ö÷²¥´óÐã's Television Centre.


The daily population of this large Ö÷²¥´óÐã campus is about 12,000 people.


The Music Centre will sit at the centre of this campus, at the heart of the Ö÷²¥´óÐã in West London.


The Ö÷²¥´óÐã acquired the site in the mid-1980s and for the first phase of the development a 25,000 square metres net office building was completed in 1990.


The major redevelopment of the site results from a design competition held in 2000 when the Ö÷²¥´óÐã appointed Allies & Morrison to develop designs for a master plan for the site.


This consists of a group of up to nine new buildings which combined with Phase 1 will form a publicly accessible urban environment.


Five of these buildings are currently being completed:


• Broadcast Centre of 25,400 sq m net – used to house the Ö÷²¥´óÐã's TV playout business.


• Media Centre of 22,400 sq m net – a new office building for the Ö÷²¥´óÐã's New Media and Technology Operations, Marketing and Communications, Nations and Regions and Corporate Offices.


• Energy Centre, capable of servicing the entire site.


• Two Perimeter Buildings, facing onto South Africa Road for subletting to other media companies.


The work is due for completion in late 2003.


The final phase of developing the 17 acres of land is the Music Centre and the spaces which will be accessible to the public.


One way of encouraging the local community and Ö÷²¥´óÐã staff to engage with the site is through the public art programme.


The art, which includes both temporary and permanent exhibitions, is designed to sit within the architecture and gives visual expression to the creativity housed within the Ö÷²¥´óÐã.


For example, Tim Head and Yuko Shiraishi have worked with architects Allies & Morrison on permanent light and colour interventions built into the fabric of the building.


Andrew Motion, the poet laureate, has created a work on broadcasting that will be inscribed into the 92 metre landscaped approach to the main entrance of the new building.


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