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Anita visits an iconic Norfolk Broads landmark to see how an ambitious restoration project is bringing the Grade II* listed building back to life. 

The Horsey Windpump stood still and silent for 75 years after being struck by lightning in 1943. 

But repairs carried out by millwright Tim Whiting will see it fully operational again – a true labour of love that will be complete by the end of the summer…

Anita finds out how the ancient skill of reed-cutting on the Norfolk Broads has gone a little more hi-tech thanks to some modern machinery.

Reed has been harvested here for centuries and the look of the landscape has always relied on the skills of the locals who work and live around it.

But, rather than the traditional scythe, Anita gets her hands on ‘The Beast’ – a massive 'lawnmower' designed to chop down the reeds. But can she keep it on the straight and narrow?

Weather vanes on buildings have been recorded as far back as the ancient Greeks – and this historic metal-working craft is still alive and well in the UK. 

Matt Baker is off to Herefordshire to see weather vanes being made today that can rival any that have ever been produced. 

And Matt makes his own traditional miniature English weather cock by hammering, chiselling and shaping a flat piece of copper into a detailed 'masterpiece'.

Helen Skelton’s in Devon discovering the ancient process behind many of our belts, bags and boots.

Helen visits the last traditional oak bark tannery in Britain to discover how they turn raw cow hide into premium grade leather. 

Helen meets Andrew Parr to examine the whole process from scraping off the hair, soaking it in oak bark vats to finally finishing and grading.

Along the way Helen meets John Hagger a master leather worker who uses the leather to produce fine hand-crafted goods.

Animal skin isn’t just used for leather accessories, clothes and footwear but, for thousands of years, calf skin has been used as high-quality parchment to write and draw on.

Anita travels to Buckinghamshire to chat with Paul Wright the only vellum manufacturer in the UK.

Anita discusses the whole process from selecting the right calf skin all the way to treating and removing layers.

Anita also meets Gael Sellwood, a renowned botanical artist, who talks about the reasons why she uses vellum.

Matt finds out how to do a real ‘bodge’ job – but while ‘bodging’ may conjure up images of a bad or half-done job this is actually the work of a skilled craftsman making chair legs and braces.

In the heart of Sherwood Forest, traditional bodger Bryan Eskriett shows his skills in the ancient practice of woodturning using unseasoned wood and traditional tools.

We all like to treasure the milestones in our lives, but retired window cleaner Nigel Ford goes a step further: he’s restored scores of the real roadside markers.

In 2010, Nigel decided to repair a local milestone and, since then, he’s been instrumental in restoring about 150 of them across Norfolk.

For Nigel, these markers are a link to our past – and even a thing of beauty in itself. He ropes in Anita to help restore one 200-year-old milestone damaged by a modern-day flail cutter.

David Wolstenholme has a heritage skill that lies right at the heart of British culture, one that is now so rare it’s on the endangered crafts list.

He’s one of only about 20 people in the UK to make cricket bats by hand – a skill he has spent the past 17 years refining using English willow.

Anita takes a turn at this precise skill – and puts her work to the test facing a few bowls on the cricket pitch…watch your heads!