Ö÷²¥´óÐã

When piper Allan MacDonald revealed Beethoven’s song Enchantress, Farewell was a reworking of Gaelic song Mnathan á Ghlinne Seo, German Gaelic-learner Michael Klevenhaus turned detective. We follow his quest to discover more works by the maestro based on traditional music of Gaeldom. Michael reveals that the melodies’ origins were deliberately hidden from Beethoven and the public by Edinburgh publisher George Thomson, who commissioned the arrangements from the composer.

With the 1745 Jacobite Rebellion still within living memory, Thomson wanted to strip the Gaelic songs of their titles, lyrics and the ‘taint’ of Jacobitism.

Discovering a wealth of Beethoven’s forgotten Gaelic songs, Michael and Allan MacDonald stage a concert featuring both Beethoven’s and the ancient Gaelic versions.

Nuair a thuig am pìobaire Ailean Dòmhnallach gu robh’m fonn a chuir Beethoven ris an òran Enchantress, Farewell, càirdeach dhan òran Ghàidhlig Mnathan a’Ghlinne Seo, thug sin air Gearmailteach a dh’ionnsaich Gàidhlig, Mìcheal Klevenhaus, dhol an sàs ann an rannsachadh fad’is farsaing. Tha sinn ga leantail is e a’lorg obair eile an fhir-ciùil, stèidhichte air fuinn Ghaidhealach.

Tha Mìcheal a’dearbhadh gun deach freumh nam fonn a’chleith air Beethoven: bha am foillsichear Seòras MacThòmais a Dùn Èideann, a dh’iarr air Beethoven dreach a chuir orra, a’cumail sin aige fhèin. Le Bliadhna Theàrlaich fhathast an cuimhne dhaoine, bha MacThòmais deònach faclan nan òran a sguabadh as, mus biodh blas Seumasach orra.

Nuair a lorg Mìcheal is Ailean stòras òran Ghàidhlig san robh Beethoven an sàs, chuir iad cuirm air chois, an dà chuid le dreach Beethoven orra, agus anns an t-seann nòs Ghàidhlig.

In Gaelic with English subtitles