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Vyvienne takes to the stage. It is a simple set up with herself, another cellist and a pianist. We open with ‘Late, Always’, a beautifully arranged track that rises and falls splendidly. ‘Bad Move’ follows, augmented with jumpy cello throughout that matches her staccato lyrics. ‘Hideaway’ brings the tempo right down with Jazzy-blues sections that have a noire-esque feel throughout and all the class befitting a waltz. Vyvienne’s songs are expertly produced, her ability with the cello is unparalleled and the way that she is able to create music that can simultaneously mend and break your heart is stunning.

‘Never Leave You’ is a dark, sexy, classy song that has a rap-like quality segued with a graceful chorus. The song possesses incredibly witty lyrics and it receives a great reception from the audience. The noise from the neighbouring St. Etienne show does provide a distraction but the band doesn't let the overabundance of bass phase them, opting to fight fire with fire and play one louder themselves. Tactless questions is a real toe tapper and continues the theme of razor sharp lyrics. ‘Treacherous’ is melodious and delicate, with all three band members harmonising perfectly. With ‘Random man’, ‘Happy Thoughts’ and ‘Inheritance’ ,we have a trio of darkly humorous tracks that provide plenty of laughs throughout. We hear the more traditional ‘They’re Not Waving’ before being treated to a brand new track.

‘Sailing Out To Sea’ is a lovely, sweet affair that draws the evening to a close. Though Vyvienne does return to do her uniquely marvelous renditions of ‘Yoshimi’ by The Flaming Lips and The White Stripes ‘Seven Nation Army’. As I mentioned earlier the only real drawback to the evening was the noise from the festival marquee. It’s a minor complaint as the talent and ability on display in the basement far outweighed any possible negatives. If only all evenings were as beautiful as this one.

David Smith