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One of the most memorable images of the week for me was the moment when to pick up the award for best entertainment programme.

Ö÷²¥´óÐã Four's Newswipe with was recognised above two estimable giants of the entertainment world: and .

The humorous and uncompromising voice of Charlie Brooker on the Ö÷²¥´óÐã has gained this acclaim by having originality, an attitude and genuinely, something to say about our media today. The fact is that Ö÷²¥´óÐã Four, a relatively new channel (in British terms anyway), can punch above its weight at these important industry events.

The night saw , , if we include the distinguished 's judges' award for her unparalleled work for the Ö÷²¥´óÐã. It also illustrated what we mean by quality when we talk about the Ö÷²¥´óÐã's ambitions in the future.

The range of Ö÷²¥´óÐã One's awards was remarkable. From Peter Bower's drama, Occupation to popular factual series like Famous, Rich And Ö÷²¥´óÐãless; from EastEnders in its 25th year and Jimmy McGovern's The Street; from the searing feature-length documentary, Wounded, following the slow painful rehabilitation of two veterans of the conflict in Afghanistan to the best history winner, Garrow's Law and double winner Small Island - these were all quality but all very different.

That key ingredient, quality also stood out for the judges, across a wide variety of programme winners, from both children's channels, CBeebies and CÖ÷²¥´óÐã as well as our Ö÷²¥´óÐã Four international programme, Mad Men.

Ö÷²¥´óÐã Comedy also did well. , who I sat next to, was fine until the ceremony's wonderful host suddenly announced halfway through, that there would now be speeches for the remaining awards.

What was a reasonably stress-free evening for nominees suddenly tensed up around the comedy table.

But win Miranda did, for best comedy performance, after her breakthrough sitcom Miranda on Ö÷²¥´óÐã Two. While the winner of scripted comedy on my other side was , and his Thick Of It team.

Last week's launch of the Ö÷²¥´óÐã's strategy review was headlined 'Putting quality first'. No doubt what this means will continue to be debated - but its significance really hits when you look at all these very different winners and the huge array of talent behind them.

Jana Bennett is the director of Ö÷²¥´óÐã Vision